# Understanding Bleed Source: https://docs.printery.app/basics/bleed Complete guide to bleed - why you need it and how to set it up correctly ## What is Bleed? **Bleed** is the extra area of your design that extends beyond the final trim size. It's insurance against white edges when your printed piece is cut. **Simple Analogy**: Imagine cutting a cake. If the frosting only goes to the edge, any imperfect cut shows bare cake. But if the frosting extends beyond where you'll cut, every piece looks perfect! ## Why Do We Need Bleed? ### The Cutting Problem Industrial cutting machines (guillotines) are incredibly fast and powerful, but they're not 100% precise. They can be off by: * **1-2mm** on standard projects * **Up to 5mm** on large format prints **Without bleed**: If the cut is even 1mm off, you'll see a white edge where the paper shows through. **With bleed**: The cut can be off by a few millimeters and your design still looks perfect! ### Visual Example Here's what happens with and without bleed: ``` WITHOUT BLEED ❌ ┌─────────────────┐ │ │ │ [Blue Design] │ ← Design ends at edge │ │ └─────────────────┘ ↓ Cut slightly off ┌────────────────┐ │ │ ← White edge shows! │ [Blue Design] │ │ │ └───────────────┘ ``` ``` WITH BLEED ✅ ┌────────────────────┐ │ ░░░░░░░░░░░░░░░░░░ │ │ ░ [Blue Design] ░ │ ← Blue extends beyond edge │ ░░░░░░░░░░░░░░░░░░ │ └────────────────────┘ ↓ Cut slightly off ┌─────────────────┐ │ │ ← Still looks perfect! │ [Blue Design] │ │ │ └─────────────────┘ ``` ## Standard Bleed Sizes Different projects require different bleed amounts: | Project Type | Bleed Size | Reason | | ---------------------- | ----------------- | ------------------------ | | **Business cards** | 3mm (0.125") | Standard small format | | **Flyers & brochures** | 3mm (0.125") | Standard print | | **Posters (small)** | 3mm (0.125") | Up to A2 size | | **Posters (large)** | 5-10mm (0.2-0.4") | Larger cutting tolerance | | **Magazines & books** | 3-5mm | Plus binding allowance | | **Banners** | 10-25mm (0.4-1") | Large format tolerance | **Most Common**: 3mm (0.125") is the industry standard for 90% of print projects. ## How to Calculate Dimensions with Bleed ### The Formula ``` Design Size = Final Size + (Bleed × 2) ``` Why × 2? Because bleed goes on **all sides** (top, bottom, left, right). ### Real Examples **Final Size (Trim)**: 90mm × 54mm **Bleed**: 3mm **Calculation**: * Width: 90mm + (3mm × 2) = **96mm** * Height: 54mm + (3mm × 2) = **60mm** **Design Size**: **96mm × 60mm** **Final Size**: 210mm × 297mm (A4) **Bleed**: 3mm **Calculation**: * Width: 210mm + (3mm × 2) = **216mm** * Height: 297mm + (3mm × 2) = **303mm** **Design Size**: **216mm × 303mm** **Final Size**: 8.5" × 11" **Bleed**: 0.125" **Calculation**: * Width: 8.5" + (0.125" × 2) = **8.75"** * Height: 11" + (0.125" × 2) = **11.25"** **Design Size**: **8.75" × 11.25"** **Final Size**: 24" × 36" **Bleed**: 0.25" (larger for big format) **Calculation**: * Width: 24" + (0.25" × 2) = **24.5"** * Height: 36" + (0.25" × 2) = **36.5"** **Design Size**: **24.5" × 36.5"** ## Setting Up Bleed in Figma ### Method 1: Design at Full Bleed Size (Recommended) Add bleed to your trim dimensions: ``` Final: 90mm × 54mm + Bleed (3mm each side) = Design Frame: 96mm × 60mm ``` Press `F` and create a frame with the **full size** (96mm × 60mm) Mark where the trim will be: 1. Enable rulers: `Shift + R` 2. Drag guides **3mm from each edge** 3. These mark your **trim lines** * Extend backgrounds and colors to the **frame edges** (full bleed) * Keep important content **inside the guides** (safe area) ### Method 2: Let Printery Handle It Create your frame at the **final size** (90mm × 54mm) Make sure backgrounds extend to all edges 1. Open Printery 2. In Document tab: **"Add Bleed"** → Enable 3. Set bleed amount: **3mm** 4. Choose mode: **"Expand"** (extends design outward) **"Expand" vs "Contain" Mode**: * **Expand**: Keeps trim size, adds bleed outside (recommended) * **Contain**: Keeps artboard size, trim area shrinks inside ## Designing with Bleed: Best Practices ### ✅ DO: Any element that touches the trim edge should extend into the bleed area. **Example**: Colored background should reach all edges of your design frame, not stop at the trim line. If an image bleeds off the page, make sure it extends fully into the bleed area. Always mark your trim line with guides so you know where the final cut will be. Occasionally hide elements outside the trim line to see your final design. ### ❌ DON'T: The bleed area might get cut off! Keep all important elements (text, logos) at least 3mm **inside** the trim line. If your design has color to the edge, it must extend into the bleed. Never stop exactly at the trim line. Always confirm your printer's bleed requirements before starting a project. Keep bleed uniform on all sides unless you have a specific reason (very rare). ## Common Bleed Mistakes ### Mistake #1: No Bleed **Problem**: Design stops exactly at trim size **Result**: White edges after cutting **Fix**: Extend all edge-to-edge elements by 3mm beyond trim *** ### Mistake #2: Content in Bleed Area **Problem**: Important text or logos placed in bleed zone **Result**: Text or logos get cut off **Fix**: Keep all important content in the **safe area** (3mm inside trim) *** ### Mistake #3: Inconsistent Bleed **Problem**: Bleed on some sides but not others **Result**: White edges on some sides **Fix**: Ensure bleed extends uniformly on **all four sides** *** ### Mistake #4: Not Enough Bleed **Problem**: Using 1mm bleed when 3mm is required **Result**: Printer rejects file or white edges appear **Fix**: Always check printer's requirements (usually 3mm) ## Bleed and Borders ### Designing with a Border If your design has an intentional border (like a picture frame): Place your border at least **5mm inside** the trim line: * 3mm for safety zone * 2mm extra as visual buffer The background color (inside the border) should still extend to the bleed. Minimum border thickness: **2mm** (1-2pt can look unintentional) **Thin borders near trim edges are risky!** If cutting is slightly off, the border will look uneven. Either make it thick and well-inset, or skip it. ## Checking Your Bleed Before exporting, verify your bleed is correct: 1. Look at your design frame 2. All backgrounds extend to edges? ✓ 3. All images extend to edges? ✓ 4. Nothing important in outer 3mm? ✓ 1. Check frame dimensions 2. Should be: Final Size + 6mm (3mm bleed each side) 3. Example: 90mm card → 96mm frame ✓ After exporting: 1. Open PDF in Adobe Reader 2. Page size should show full bleed dimensions 3. Design should extend to PDF edges 4. Crop marks should be outside design ## Special Cases ### Full-Bleed vs. Non-Bleed Designs **Definition**: Design extends to edges (no white border) **Bleed Required**: Yes! 3mm all around **Examples**: Most brochures, posters, business cards **Setup**: Design + 3mm all sides **Definition**: Design has white margin all around **Bleed Required**: No (but still recommended as safety) **Examples**: Some letterheads, forms, certificates **Setup**: Design with internal margins, can use trim size ### Folds and Perforations For pieces with folds or perforations: * **Folds**: No extra bleed needed at fold line * **Perforations**: May need small bleed (check with printer) * **Multiple panels**: Each panel needs bleed on its outer edges ## Bleed in Different Software How other design tools handle bleed: | Software | Bleed Setup | | --------------- | -------------------------------- | | **InDesign** | Document Setup → Bleed settings | | **Illustrator** | Artboard size + manual extension | | **Photoshop** | Canvas size + manual guides | | **Figma** | Frame size or plugin (Printery) | **Printery Advantage**: Automatically handles bleed for you. Just design and enable bleed in the plugin! ## Quick Bleed Calculator Need to quickly calculate your design size? | Final Size | + Bleed (3mm) | = Design Size | | ---------------- | ------------- | --------------- | | 90 × 54mm | + 6mm each | = 96 × 60mm | | 85 × 55mm | + 6mm each | = 91 × 61mm | | 210 × 297mm (A4) | + 6mm each | = 216 × 303mm | | 148 × 210mm (A5) | + 6mm each | = 154 × 216mm | | 3.5 × 2" | + 0.25" each | = 3.75 × 2.25" | | 8.5 × 11" | + 0.25" each | = 8.75 × 11.25" | ## Summary: Bleed Checklist Before sending your file to print: * [ ] **Bleed added**: +3mm (or specified amount) on all sides * [ ] **Backgrounds extend**: All edge-to-edge colors reach frame edges * [ ] **Images extend**: All bleeding images extend fully * [ ] **Content safe**: Important elements are 3mm+ inside trim * [ ] **Dimensions correct**: Frame size = Trim size + (Bleed × 2) * [ ] **Verified in PDF**: Exported file shows correct bleed If all boxes are checked, your bleed is set up correctly! ## Next Steps Now that you understand bleed, learn about: How printers know where to cut Keeping your content safe from the blade Put it all together in a real project Watch bleed setup in action *** **Still confused about bleed?** Ask in our [Discord community](https://discord.gg/kUJZQEfdUF) - we're here to help! # Crop Marks & Printer's Marks Source: https://docs.printery.app/basics/crop-marks Understanding crop marks, registration marks, and other printer's marks ## What Are Crop Marks? **Crop marks** (also called **trim marks**) are thin lines printed outside your design that show the printer exactly where to cut the paper. **Simple Analogy**: Crop marks are like the dotted lines on a sheet of stickers - they guide the cutting tool to ensure precise cuts. ## Why Do We Need Crop Marks? ### The Problem They Solve When your printed sheet comes off the press: * It's printed on **oversized paper** (to accommodate bleed) * Multiple designs might be on **one large sheet** * The printer needs to know exactly where to **cut** Without crop marks, the printer would have to guess where to cut, leading to: * ❌ Inconsistent sizes * ❌ Off-center designs * ❌ Cut-off content Crop marks turn guesswork into precision, ensuring every cut is exactly where it should be. ## Types of Printer's Marks Print files can include several types of marks: **Purpose**: Show where to trim/cut **Appearance**: Small corner marks (L-shaped) or lines **Position**: At all four corners, outside the bleed **Required**: Yes, for most professional printing ``` ┌─ Example: ─┐ │ │ │ [Design] │ │ │ └─ ─┘ ``` **Purpose**: Show the extent of the bleed area **Appearance**: Similar to crop marks but further out **Position**: Outside crop marks **Required**: Optional, but helpful ``` Bleed ┌─────────┐ Bleed Crop ┌───┐ Crop │ │ └───┘ ``` **Purpose**: Align multiple color plates **Appearance**: Crosshair in circle ⊕ **Position**: Outside crop marks (usually center of each side) **Required**: Only for offset printing with multiple plates ``` ⊕ ┌─────────┐ ⊕ [...] ⊕ └─────────┘ ⊕ ``` **Purpose**: Check ink density and color accuracy **Appearance**: Row of color patches **Position**: Outside design area **Required**: Only for professional offset printing ``` ███ ███ ███ ███ C M Y K ``` ## Standard Crop Mark Settings ### Typical Specifications | Setting | Standard Value | Purpose | | ---------------------- | ------------------------ | ---------------------------- | | **Line thickness** | 0.25pt (0.088mm) | Thin enough to not interfere | | **Line length** | 6mm (0.236") | Long enough to see clearly | | **Distance from trim** | 2-3mm | Outside bleed, visible | | **Color** | Black (K100) or opposite | High contrast | | **Style** | Corner marks | Most common | Printery automatically uses professional-standard crop mark specifications. ## How Crop Marks Are Used Designer includes crop marks in the PDF export Print shop verifies marks are correct Design is printed on oversized paper with all marks visible Guillotine or cutting machine aligns with crop marks Paper is cut precisely at crop marks, marks are trimmed off ## Crop Mark Placement Crop marks must be positioned correctly: ``` Correct Placement: ┌─────────────────────────────┐ │ ┌─ ┐ │ ← Crop marks OUTSIDE bleed │ │ │ ┌─────────────┐ │ │ │ │ │░░░░░BLEED░░░│ │ ← Bleed area (3mm) │ │ │░┌─────────┐░│ │ │ │ │░│ DESIGN │░│ │ ← Your actual design │ │░│ │░│ │ │ │░└─────────┘░│ │ │ │░░░░░░░░░░░░░│ │ │ └─────────────┘ │ │ └─ ┘ │ └─────────────────────────────┘ ``` ### Distance Guidelines * **From trim edge**: 2-3mm (outside bleed) * **From design edge**: 5-6mm total (3mm bleed + 2-3mm spacing) * **Line length**: 6mm is standard * **Gap at corner**: \~2mm where horizontal and vertical marks meet ## When to Use Crop Marks ### Always Use Crop Marks For: Any job going to a commercial printer should include crop marks. When printing 100+ copies, precision is crucial. Designs with full bleed absolutely need crop marks. When ganging multiple items on one sheet. ### Crop Marks Optional For: Desktop printers usually don't use crop marks. If the PDF won't be physically printed. Papers with white borders all around (like letterhead). ## Setting Up Crop Marks in Printery Select your frame and open Printery Go to the **Document** settings tab Check the box for **"Crop Marks"** Available options: * **Position**: Corner marks (standard) or full marks * **Color**: Black or white (for dark backgrounds) * **Registration marks**: Enable if needed Preview in the plugin to ensure marks are visible **Pro Tip**: Printery automatically positions crop marks at the correct distance with professional specifications. You don't need to worry about the technical details! ## Crop Mark Color: Black vs White Choose crop mark color based on your design: | Design Background | Crop Mark Color | Why | | ------------------------------ | --------------------- | ------------------------------- | | **Light colors** | Black (default) | Maximum contrast | | **Dark colors** | White | Visible against dark background | | **Mixed** | Black (usually works) | Marks are outside design | | **Very dark bleeding to edge** | White | Ensure visibility | Look at your bleed area - is it light or dark? In Printery: * Document tab → Crop Marks Color * Select "Black" or "White" Verify marks are clearly visible ## Common Crop Mark Issues ### Issue #1: Marks Too Close to Design **Problem**: Crop marks overlap with design elements **Causes**: * Insufficient bleed * Design extends too far **Solution**: * Ensure 3mm minimum bleed * Keep design content inside trim area * Use Printery's automatic positioning *** ### Issue #2: Marks Not Visible **Problem**: Can't see crop marks in PDF **Causes**: * Wrong color (black on black background) * Marks outside PDF page * Marks disabled **Solution**: * Change mark color to white for dark designs * Check PDF page size includes marks * Verify marks are enabled in export settings *** ### Issue #3: Marks Cut Off **Problem**: Crop marks are partially or fully cut off **Causes**: * PDF page size too small * Printer trimmed the sheet **Solution**: * Increase page size in export settings * Ensure 5-10mm margin around design for marks * Check printer's requirements *** ### Issue #4: Marks Printed on Final Product **Problem**: Crop marks visible on finished pieces **Causes**: * Printer didn't trim the sheet * Incorrect cutting **Solution**: * This is a printer error, not your file * Contact the print shop for reprint ## Special Situations ### Multi-Page Documents For booklets and catalogs: Each page gets its own set of crop marks Crop marks on outer edges only, not in the gutter (center fold) Consider spine width when placing marks ### Gang Printing When multiple designs are on one sheet: ``` Sheet Layout: ┌─────────────────────────┐ │ ┌─┐ ┌─┐ ┌─┐ ┌─┐ │ │ │A│ │B│ │C│ │D│ │ ← Each design gets marks │ └─┘ └─┘ └─┘ └─┘ │ │ ┌─┐ ┌─┐ ┌─┐ ┌─┐ │ │ │E│ │F│ │G│ │H│ │ │ └─┘ └─┘ └─┘ └─┘ │ └─────────────────────────┘ ``` For gang printing, export each design individually with its own crop marks, then let the print shop impose them on the sheet. ## PDF Verification After exporting, check your crop marks: Open your PDF in Adobe Reader or Preview Zoom out to see the entire page including area outside design Verify crop marks appear at all corners: * Top left ✓ * Top right ✓ * Bottom left ✓ * Bottom right ✓ Marks should be clearly visible and contrast with background In Adobe Acrobat Pro, measure mark position (should be \~3mm from trim) ## Printer Communication When sending files to a printer: ### Information to Provide "File includes standard crop marks 3mm outside trim line" "Trim size: 90mm × 54mm" (the final size after cutting) "3mm bleed on all sides" "Page size: 96mm × 60mm" (includes bleed) ### Questions to Ask Before finalizing your file: * "Do you need registration marks?" * "What crop mark color do you prefer?" * "Should I include bleed marks?" * "Any specific positioning requirements?" ## Quick Reference: Crop Marks | Element | Standard | | --------------- | --------------------------------- | | **When to use** | All professional printing | | **Position** | 2-3mm outside trim line | | **Line weight** | 0.25pt | | **Line length** | 6mm | | **Color** | Black (or white for dark designs) | | **Style** | Corner marks (L-shaped) | ## Checklist: Before Sending to Print * [ ] Crop marks enabled * [ ] Marks visible at all four corners * [ ] Marks have correct color (contrast with background) * [ ] Marks are outside bleed area * [ ] PDF page size includes marks * [ ] Registration marks included (if required by printer) * [ ] Marks don't overlap with design If all items are checked, your crop marks are properly set up! ## Learn More Learn about the area between your design and crop marks Keep content safe from the cutting blade Master all export options Communicate effectively with print shops *** **Pro Tip**: Most modern printers prefer PDF/X-4 format with embedded crop marks. Printery handles this automatically! # DPI & Resolution Source: https://docs.printery.app/basics/dpi-resolution Understanding print resolution - ensure your designs print sharp and clear ## What is DPI? **DPI** stands for **Dots Per Inch** - it measures how many tiny dots of ink are printed in each inch of your design. **Simple Analogy**: Think of a mosaic made of tiny tiles. More tiles per inch = more detail and smoother image. Fewer tiles = chunky, pixelated look. ## DPI vs PPI: What's the Difference? | Term | Full Name | Used For | Meaning | | ------- | --------------- | ------------ | ----------------- | | **DPI** | Dots Per Inch | **Printing** | Ink dots on paper | | **PPI** | Pixels Per Inch | **Screens** | Pixels on display | In practice, these terms are often used interchangeably in digital design, but: * **Technical**: Your Figma file has **pixels** (PPI) * **Printing**: Your printer creates **dots** (DPI) For print design, when someone says "300 DPI," they mean the printed output will have 300 dots of ink per inch. ## Why 300 DPI? **300 DPI** is the universal standard for quality printing because: 1. **Human eye limit**: Most people can't see individual dots at 300 DPI 2. **Sharp text**: Letters look crisp and clear 3. **Smooth images**: Photos appear photographic, not pixelated 4. **Industry standard**: All professional printers expect 300 DPI ### Resolution Comparison | DPI | Quality | Use Case | | --------- | ---------- | ----------------------------------------------- | | **72-96** | Low | Screen only (websites, apps) | | **150** | Medium | Newspapers, viewed from distance | | **300** | High | **Standard printing** (books, brochures, cards) | | **600** | Very High | Line art, very fine details | | **1200+** | Ultra High | Specialty printing (rare) | **72 DPI looks great on screens but terrible when printed!** Never use screen-resolution images for print. ## How to Calculate Required Resolution ### The Formula ``` Required Pixels = (Physical Size in Inches) × (DPI) ``` ### Real Examples **Size**: 3.5" × 2" (US standard) **Target DPI**: 300 **Calculation**: * Width: 3.5" × 300 = **1050 pixels** * Height: 2" × 300 = **600 pixels** **Required**: **1050 × 600 px** minimum **Size**: 8.27" × 11.69" (A4) **Target DPI**: 300 **Calculation**: * Width: 8.27" × 300 = **2481 pixels** * Height: 11.69" × 300 = **3507 pixels** **Required**: **2481 × 3507 px** minimum **Size**: 24" × 36" **Target DPI**: 150 (viewed from distance) **Calculation**: * Width: 24" × 150 = **3600 pixels** * Height: 36" × 150 = **5400 pixels** **Required**: **3600 × 5400 px** minimum **Size**: 1" × 1" on business card **Target DPI**: 300 **Calculation**: * Size: 1" × 300 = **300 pixels** **Required**: **300 × 300 px** minimum (prefer vector!) ## Effective DPI in Figma When you place an image in Figma and resize it, the **effective DPI changes**: ### How It Works ``` Effective DPI = (Image Pixels / Physical Size in Inches) ``` ### Example Scenario You have a photo that's **1500 × 1000 pixels**: | Size in Design | Width (inches) | Effective DPI | Quality | | -------------- | -------------- | ------------------------ | ------------------------- | | **5" wide** | 5" | 1500 ÷ 5 = **300 DPI** | ✅ Perfect! | | **10" wide** | 10" | 1500 ÷ 10 = **150 DPI** | ⚠️ Acceptable for posters | | **15" wide** | 15" | 1500 ÷ 15 = **100 DPI** | ❌ Too low | | **2.5" wide** | 2.5" | 1500 ÷ 2.5 = **600 DPI** | ✅ Excellent (overkill) | **Key Insight**: Smaller images in your design = Higher effective DPI. Larger images = Lower effective DPI. ## Using the DPI Checker in Printery Select your frame and launch the plugin Click the **"DPI Check"** tab in the plugin The plugin shows a list of all images in your design with: * Image name * Original size (pixels) * Size in design (mm/inches) * Effective DPI * Warning if below 300 DPI For images marked ⚠️: * Replace with higher resolution version * Make image smaller in design * Remove if not critical All images should show: * **300+ DPI** for standard print * **150-200+ DPI** for large format **Pro Tip**: Check DPI **before** finalizing your design, not right before export. Finding high-res replacements takes time! ## Common DPI Scenarios ### Scenario 1: Image from Web **Problem**: Downloaded image from Google/website **Reality**: Most web images are **72-96 DPI** (screen resolution) **Solution**: * Find original high-res source * Use stock photo sites (Unsplash, Shutterstock) * Take your own high-res photos * Use vector graphics instead *** ### Scenario 2: Scaling Up Images **Problem**: Small image stretched to fill space **Reality**: Effective DPI drops proportionally **Example**: * Original: 500px wide at 100 DPI * Scaled 3×: Now 33 DPI! ❌ **Solution**: Start with larger source images *** ### Scenario 3: Logos and Icons **Problem**: Raster logo file (PNG/JPG) **Reality**: Looks pixelated when printed **Solution**: Use **vector** formats: * ✅ SVG (best for Figma) * ✅ PDF (vector) * ✅ AI/EPS (if available) **Vector graphics** don't have DPI limitations - they scale infinitely without quality loss! ## Different DPI for Different Projects Not everything needs 300 DPI: ### High DPI (300-600) **When to use**: * Business cards * Brochures * Magazines * Books * Product packaging * Any close-viewing print **Why**: Viewed from 12-18 inches away *** ### Medium DPI (150-200) **When to use**: * Posters (A2 or larger) * Banners * Trade show displays * Window graphics **Why**: Viewed from 3-10 feet away *** ### Low DPI (72-150) **When to use**: * Billboards * Building wraps * Large venue signage **Why**: Viewed from 30+ feet away **Viewing Distance Rule**: The farther away people view it, the lower DPI you can use. ## Optimizing File Size vs Quality Higher DPI = Larger file size. Find the balance: | DPI | File Size | Print Quality | Best For | | --------- | --------- | ------------- | ------------------------------ | | **150** | Small | Acceptable | Large format, distance viewing | | **300** | Medium | Excellent | Standard print (recommended) | | **600** | Large | Overkill | Line art, very fine details | | **1200+** | Huge | Unnecessary | Waste of space for photos | **Recommendation**: Use 300 DPI for photos and 600+ DPI for black & white line art or text-only images. ## Fixing Low-Resolution Images If your image is below 300 DPI, you have options: ### Option 1: Get Higher Resolution Source **Best solution**: * Find original file * Re-download from source (not Google Images!) * Use stock photo sites * Take new photo *** ### Option 2: Make Image Smaller in Design If 1200px image is 8" wide (150 DPI): * Reduce to 4" wide = 300 DPI ✓ **Trade-off**: Image takes up less space in design *** ### Option 3: AI Upscaling (Use Carefully) Tools like: * Topaz Gigapixel AI * Photoshop Super Resolution * Online upscalers **Warning**: Can't add detail that isn't there - use only when necessary *** ### Option 4: Accept Lower Quality (Last Resort) For some projects: * Background textures * Non-critical decorative elements * Large format prints **Only acceptable if**: * Not critical to design * Printer approves * Budget/time constraints ## Text and DPI ### Vector Text (Recommended) Text in Figma is **vector** - it doesn't have DPI limitations: * ✅ Scales perfectly * ✅ Always sharp * ✅ No pixelation **When exporting PDF**: Text remains vector (perfect!) *** ### Rasterized Text (Avoid) If text becomes pixels (rasterized): * Must follow same 300 DPI rule * Can become blurry * Loses sharpness **How to keep text vector**: Don't flatten or rasterize text layers ## DPI in Different File Formats | Format | DPI Handling | Best For | | ---------- | ----------------- | ----------------------- | | **PDF** | Preserves vectors | Print (best choice) | | **PNG** | Fixed resolution | Web, raster needs | | **JPG** | Fixed resolution | Photos, continuous tone | | **SVG** | Vector (no DPI) | Logos, icons | | **EPS/AI** | Vector (no DPI) | Professional printing | **PDF exports from Printery** maintain vector text and graphics while embedding images at your specified DPI. ## Checking DPI in Your Exported PDF ### In Adobe Acrobat (Pro) Open your exported PDF in Adobe Acrobat Pro Tools → Print Production → Output Preview Look at "Object Inspector" - click on images to see their resolution ### Visual Test View PDF at 100% zoom Zoom in further - text should still be crisp Images should look smooth, not pixelated ## DPI Checklist Before sending to print: * [ ] **All images checked**: Used DPI Checker tool * [ ] **300+ DPI**: Every photo meets minimum * [ ] **Logos are vector**: SVG or vector-based * [ ] **Text is vector**: Not rasterized * [ ] **Large format adjusted**: 150-200 DPI if appropriate * [ ] **Replacements sourced**: High-res versions obtained * [ ] **PDF verified**: Spot-checked in PDF viewer If all checked, your resolution is print-ready! ## Common DPI Mistakes **Top 5 DPI Mistakes**: 1. Using web images (72 DPI) in print 2. Scaling up small images (lowers effective DPI) 3. Not checking DPI before finalizing design 4. Using PNG logos instead of SVG 5. Exporting at wrong DPI setting ## Quick Reference | Measurement | Value | Purpose | | ---------------------- | ------------ | ---------------------------- | | **Standard Print** | 300 DPI | Books, brochures, cards | | **Large Format** | 150-200 DPI | Posters, banners | | **Billboards** | 50-100 DPI | Very large, distant viewing | | **Line Art** | 600-1200 DPI | B\&W graphics, fine detail | | **Minimum Acceptable** | 250 DPI | Absolute minimum for quality | ## Learn More Control DPI and compression in exports Best practices for print images Fix blurry or pixelated outputs Common resolution questions *** **Remember**: When in doubt, go higher resolution. You can always reduce, but you can't add detail that isn't there! # Multi-Page Documents Source: https://docs.printery.app/basics/multi-page Creating booklets, catalogs, and multi-page prints ## What Are Multi-Page Documents? Multi-page documents are print pieces with multiple pages that are bound, stapled, or folded together, such as: * **Booklets** - Saddle-stitched or perfect bound * **Catalogs** - Product listings, portfolios * **Magazines** - Periodicals with multiple articles * **Brochures** - Tri-fold, bi-fold, gate-fold * **Manuals** - Instruction books, user guides Each page needs proper setup for bleed, margins, and page sequencing to print correctly. ## Key Concepts for Multi-Page Design ### 1. Page Sequencing Pages must be in the correct order: **Sequential (Simplest)**: ``` Page 1 → Page 2 → Page 3 → Page 4 ... ``` **Spreads (Facing Pages)**: ``` [Cover] [Page 2-3] [Page 4-5] ... [Back Cover] ``` **Imposition (Printer arranges)**: ``` Printer rearranges pages for printing sheets that fold into correct sequence ``` ### 2. Binding Methods | Method | Description | Page Count | Use Case | | ------------------- | ---------------------------- | ------------- | ------------------------ | | **Saddle Stitch** | Folded and stapled in center | Multiple of 4 | Magazines, thin booklets | | **Perfect Binding** | Glued spine | Any count | Books, thick catalogs | | **Spiral/Coil** | Plastic or wire spiral | Any count | Manuals, workbooks | | **Case Binding** | Hardcover book binding | Any count | Premium books | **Most Common**: Saddle-stitched booklets (must have page count divisible by 4) ### 3. Gutter and Margins **Gutter** = The inside margin where binding happens ``` Left Page Right Page ┌─────────────┐ ┌─────────────┐ │ Content │ │ Content │ │ │░░░│ │ ← Gutter (binding edge) │ │░░░│ │ │ Content │ │ Content │ └─────────────┘ └─────────────┘ Outer edge Outer edge ``` **Margin Guidelines**: * **Outer margins**: 5mm minimum (standard safety zone) * **Gutter margin**: 8-12mm (more for thick books) * **Top/Bottom**: 5-8mm ## Setting Up Multi-Page in Figma ### Method 1: Individual Frames (Recommended) Final size + bleed on all sides Example: A5 booklet page = 154mm × 216mm (with 3mm bleed) * Press `F` and create first page frame * Name it: "Page 01" or "Cover" * Duplicate for each page: `Cmd/Ctrl + D` Line up frames horizontally or in a grid for easy navigation Use Figma components for: * Headers/footers * Page numbers * Recurring design elements Remember different margins for left vs right pages! ### Method 2: Using Pages/Sections Create separate Figma pages for sections * Page 1: Cover * Page 2: Interior pages * Page 3: Back cover Within each Figma page, create frames for individual print pages Export each section as needed ## Page Count Rules ### Saddle-Stitched Books **Must be divisible by 4**: * 4 pages (1 sheet) * 8 pages (2 sheets) * 12 pages (3 sheets) * 16 pages (4 sheets) * 20 pages (5 sheets) * etc. **Why?**: Each sheet folds in half, creating 4 pages (front and back of both sides) If you design 10 pages for a saddle-stitched booklet, the printer will need to add 2 blank pages to make it 12! ### Perfect Bound Books * Can be any page count * Minimum typically 28-32 pages (spine needs thickness) * Maximum depends on paper and binding method ## Designing Spreads ### Spreads are Facing Pages ``` ┌──────────────────────────────────┐ │ Page 2 │ Page 3 │ │ (Left) │ (Right)│ │ Content across spread │ └──────────────────────────────────┘ ``` ### Spread Design Tips Don't run important content across the center fold - it gets lost in the binding. * Left page: More margin on right (gutter side) * Right page: More margin on left (gutter side) Design spreads as a unit - balance colors, images, text across both pages. Print and fold to see how spreads actually look. ## Exporting Multi-Page Documents ### Option 1: Single PDF with All Pages Hold `Shift` and click each frame in order Launch the plugin with frames selected Document tab → Multi-page PDF: Enable Frames will export in selection order - verify sequence! Export as one PDF file with all pages ### Option 2: Individual Page PDFs Select each frame individually and export * Page\_01.pdf * Page\_02.pdf * etc. Use Adobe Acrobat or printer's software to combine if needed **Best Practice**: Export as single multi-page PDF. It's easier for the printer and less chance of errors. ## Page Numbering ### Adding Page Numbers Design your page number style as a Figma component Add instance to each page frame Change text for each page (1, 2, 3, etc.) * Bottom center, bottom corner, or header * Keep in safety zone (8-10mm from edges) ### Numbering Conventions * **Body pages**: Use arabic numerals (1, 2, 3...) * **Front matter**: Roman numerals optional (i, ii, iii...) * **First page**: Usually no number shown (but counted as page 1) ## Bleed for Multi-Page Each page needs bleed: ``` Individual Page with Bleed: ┌─────────────────────────┐ │ ░░░░ 3mm bleed ░░░░░░░░ │ │ ░┌───────────────────┐░ │ │ ░│ Page Content │░ │ │ ░└───────────────────┘░ │ │ ░░░░░░░░░░░░░░░░░░░░░░░ │ └─────────────────────────┘ ``` **Exception**: Pages back-to-back in a spread share the gutter edge (no bleed needed in center). ## Common Multi-Page Mistakes ### Mistake #1: Wrong Page Count **Problem**: 10-page booklet for saddle-stitching **Solution**: Make it 12 pages (add 2 blank pages) or 8 pages (remove 2) *** ### Mistake #2: Inconsistent Margins **Problem**: Every page has different margin sizes **Solution**: Use components and consistent guides for margins *** ### Mistake #3: Content in Gutter **Problem**: Text or images run through the center fold **Solution**: Keep minimum 8mm clear on both sides of center fold *** ### Mistake #4: Forgotten Bleed **Problem**: Some pages have bleed, others don't **Solution**: Check every page for proper bleed setup *** ### Mistake #5: Wrong Page Order **Problem**: Pages export in wrong sequence **Solution**: Name frames clearly (Page\_01, Page\_02) and verify selection order ## Templates for Common Formats ### 8-Page A5 Booklet * **Page Size**: 148 × 210mm (A5) * **With Bleed**: 154 × 216mm * **Saddle-stitched**: 2 sheets folded * **Margins**: Outer 5mm, Gutter 10mm ### 16-Page Letter Booklet * **Page Size**: 8.5" × 11" * **With Bleed**: 8.75" × 11.25" * **Saddle-stitched**: 4 sheets folded * **Margins**: 0.25" outer, 0.5" gutter ### Tri-Fold Brochure * **Flat Size**: 297 × 210mm (A4 landscape) * **Folded**: 99mm wide × 210mm tall (3 panels) * **Consider fold variation**: ±1-2mm ## Testing Your Multi-Page Design Print all pages on regular paper Fold or staple in correct order * Are facing pages balanced? * Is content clear of gutter? * Do page numbers flow correctly? Make corrections before sending to printer **Pro Tip**: Always make a physical mock-up before ordering your print run. Digital previews don't show binding issues! ## Working with Your Printer Questions to ask: * Single multi-page PDF? * Individual page PDFs? * Spreads or single pages? * Will you handle page arrangement? * Or should I provide print-ready sheets? * How much space needed for binding? * Different for perfect vs saddle-stitch? * Interior pages need bleed? * What about pages that face each other? ## Multi-Page Checklist * [ ] **Page count correct**: Divisible by 4 (if saddle-stitched) * [ ] **All pages have bleed**: 3mm on all outer edges * [ ] **Consistent margins**: Left/right pages mirror properly * [ ] **Gutter clearance**: 8-12mm on binding side * [ ] **Page numbers**: Present and sequential * [ ] **Page order verified**: Checked in PDF * [ ] **Mock-up tested**: Printed and folded to verify * [ ] **Printer consulted**: Confirmed requirements All checked? Your multi-page document is print-ready! ## Next Steps Ensure color consistency across all pages Download multi-page templates Step-by-step booklet creation Master multi-page export options *** **Need help with a complex multi-page project?** Ask in our [Discord community](https://discord.gg/kUJZQEfdUF) - we have publishers and designers who can guide you! # Print Basics Overview Source: https://docs.printery.app/basics/overview Essential printing concepts every designer should know ## Why Learn Print Basics? Designing for print is fundamentally different from designing for screens. Understanding these core concepts will help you: * **Avoid costly mistakes** like cut-off text or white borders * **Communicate effectively** with print shops and clients * **Produce professional results** on the first try * **Save time and money** on reprints and corrections **New to printing?** Don't worry! This guide explains everything in simple terms with visual examples. You'll be a print pro in no time! ## The 5 Essential Print Concepts Extra space around your design to prevent white edges after cutting Lines that guide the printer's cutting machine The area where important content must stay How sharp and clear your prints will look How to handle documents with multiple pages ## Print vs Screen: Key Differences Understanding the differences between screen and print design is crucial: ### Color | Screen (RGB) | Print (CMYK) | | ----------------------------- | -------------------------------- | | **Light-based** - Emits light | **Ink-based** - Reflects light | | **16.7 million colors** | **Fewer colors** (smaller gamut) | | **Brighter, more vibrant** | **More subdued, realistic** | | **Red, Green, Blue** | **Cyan, Magenta, Yellow, Black** | **Key Takeaway**: Colors always look slightly different when printed. This is physics, not a mistake! ### Resolution | Screen | Print | | ----------------------- | -------------------- | | **72-96 PPI** typical | **300 DPI** minimum | | **Pixels** | **Dots of ink** | | **Can be low-res** | **Must be high-res** | | **Zoom doesn't matter** | **Fixed size** | An image that looks great on screen may be too low-resolution for print! ### Physical Constraints Print has unique physical limitations: Industrial cutting machines can be off by 1-2mm. That's why we need: * **Bleed**: Extra space to cut into * **Safety zone**: Keep important content safe * **Crop marks**: Guide accurate cutting * Different papers absorb ink differently * Colors can shift based on paper type * Coated vs uncoated paper shows colors differently * Designs near edges are vulnerable * Folding stresses certain areas * Finishes (gloss, matte) affect appearance ## The Print Design Workflow Here's the typical process for creating print-ready files: Create your design with proper dimensions including bleed * Check image resolution (≥300 DPI) * Verify all content is in safe area * Convert special fonts if needed * Set up bleed and crop marks * Choose CMYK color profile * Set resolution to 300 DPI Generate print-ready PDF with Printery Check that everything exported correctly Upload or deliver file to print shop Review digital or physical proof before full run ## Common Print Terminology Extra area beyond the final trim size. Typically 3mm (0.125"). The final size of your printed piece after cutting. Area where important content (text, logos) should stay. Usually 3mm inside the trim line. Lines printed outside the design to guide cutting. Crosshair marks used to align multiple color plates. Measurement of print resolution. 300 DPI is standard. Cyan, Magenta, Yellow, Black - the four ink colors used in printing. A single, premixed ink color for brand accuracy. When one ink prints on top of another instead of knocking out. ISO standard for print-ready PDF files. ## Visual Guide: Anatomy of a Print File Here's what a properly prepared print file looks like: ``` ┌─────────────────────────────────────────┐ │ ┌─ Crop Marks (cutting guides) │ │ │ │ │ │ ┌─────────────────────────────┐ ┐ │ │ │ │░░░░░░░░░ Bleed Zone ░░░░░░░│ │ │ │ │ │░┌───────────────────────┐░░│ │ │ │ ↓ │░│ │░░│ 3mm │ │ │░│ ┌───────────────┐ │░░│ │ │ │ │░│ │ Safety Zone │ │░░│ ↓ │ │ │░│ │ │ │░░│ │ │ │░│ │ [Your │ │░░│ Trim│ │ │░│ │ Design] │ │░░│ Size│ │ │░│ │ │ │░░│ │ │ │░│ │ │ │░░│ │ │ │ │░│ └───────────────┘ │░░│ │ │ │ │░│ ↑ 3mm margin │░░│ │ │ │ │░└───────────────────────┘░░│ │ │ │ │░░░░░░░░░░░░░░░░░░░░░░░░░░░│ │ │ │ └─────────────────────────────┘ ↓ │ │ │ └─────────────────────────────────────────┘ ``` **Key Areas**: 1. **Bleed Zone** (outer): Design extends here to prevent white edges 2. **Trim Size** (middle): Where the paper will be cut 3. **Safety Zone** (inner): Where important content must stay 4. **Crop Marks** (outside): Guide the cutting process ## Quick Reference Card Save this for when you're preparing print files: | Element | Standard Value | Purpose | | ----------------- | --------------------- | ---------------------------- | | **Bleed** | 3mm (0.125") | Prevent white edges | | **Safety Zone** | 3mm inset | Protect content from cutting | | **Resolution** | 300 DPI | Ensure sharp output | | **Color Mode** | CMYK | Match printer inks | | **Black Text** | K100 (pure black) | Crisp text | | **Min Text Size** | 6pt (8pt recommended) | Readability | | **PDF Format** | PDF/X-1a or PDF/X-4 | Print compatibility | ## Different Types of Print Projects Each type of print project has specific requirements: **Examples**: Business cards, postcards, flyers * **Bleed**: 3mm standard * **Min text**: 8pt recommended * **Paper**: 300-350gsm for cards * **Finishes**: Matte, gloss, UV spot **Examples**: Posters, banners, signage * **Bleed**: 5-10mm (larger pieces need more) * **Resolution**: 150-200 DPI often sufficient * **Viewing**: Designed for distance viewing * **Material**: Various substrates (vinyl, canvas, etc.) **Examples**: Booklets, catalogs, magazines * **Bleed**: 3-5mm per page * **Binding**: Consider spine/gutter margins * **Page order**: Proper imposition for folding * **Consistency**: Maintain uniform margins **Examples**: Boxes, labels, bags * **Die lines**: Exact cutting/folding paths * **Spot colors**: Brand consistency crucial * **Material**: Varied substrates * **Finishes**: Foil, emboss, spot UV common ## Before You Start Any Print Project Ask yourself these questions: Know the exact trim size before you start designing. Different materials affect color and design choices. Consider using spot colors for critical brand colors. Closer viewing requires higher resolution and smaller details. UV coating, embossing, foil require special preparation. Higher quantities often mean lower per-unit costs. ## Learn Each Concept in Depth Now that you understand the overview, dive deep into each concept: Why we need extra space and how to set it up correctly What they are and when to use them Protecting your content from the blade Ensuring your prints are sharp and clear Working with booklets and catalogs RGB to CMYK and ICC profiles ## Common Mistakes to Avoid **Top 5 Print Mistakes**: 1. **No bleed** - Results in white edges or cut-off design 2. **Low resolution** - Pixelated, blurry output 3. **Text too close to edge** - Gets cut off during trimming 4. **Wrong color mode** - RGB files to print 5. **Tiny text** - Unreadable when printed ## Pro Tips for Success **Always Order a Proof**: For important projects, get a test print before ordering hundreds. It's worth the extra cost. **Communicate with Your Printer**: Ask questions! Professional printers are happy to help ensure your files are correct. **Save Your Settings**: Once you have working settings for a project type, save them as a preset. **Keep Originals**: Always keep your Figma source files. You might need to make changes later. ## Ready to Learn More? Let's start with the most important concept - bleed. Click to learn everything about it! *** **Still confused?** That's okay! Print design has a learning curve. Join our [Discord community](https://discord.gg/kUJZQEfdUF) where friendly designers can answer your questions. # Safety Zone (Safe Area) Source: https://docs.printery.app/basics/safety-zone Protecting your content from the cutting blade ## What is the Safety Zone? The **safety zone** (also called **safe area** or **live area**) is the region inside your design where all important content—text, logos, and critical imagery—must stay to avoid being accidentally trimmed off. **Simple Rule**: Keep everything important at least **3mm away from the trim edge**. ## Why We Need a Safety Zone ### The Cutting Reality Even with precise crop marks, cutting isn't perfect: * Guillotine cutters can shift **±1-2mm** * Paper can slide **slightly** during stacking * Multiple cuts can have **cumulative errors** **Result**: Content too close to the edge risks being cut off. ``` Without Safety Zone ❌ ┌─────────────────┐ │ Text on edge ───│ ← Text too close! │ │ │ [Content] │ └─────────────────┘ ↓ Cut slightly off ┌────────────────┐ │ ext on edge ───│ ← First letter cut off! │ │ └────────────────┘ ``` ``` With Safety Zone ✅ ┌─────────────────┐ │ │ │ Text inside ──│ ← 3mm+ from edge │ │ │ [Content] │ └─────────────────┘ ↓ Cut slightly off ┌────────────────┐ │ │ ← Still looks perfect! │ Text inside ──│ │ │ └────────────────┘ ``` ## Standard Safety Zone Guidelines | Content Type | Minimum Distance from Edge | Recommended | | ----------------- | -------------------------- | ----------- | | **Body Text** | 3mm (0.118") | 5mm | | **Headlines** | 3mm | 4mm | | **Logos** | 5mm | 7mm | | **Critical Info** | 5mm | 6-8mm | | **Decorative** | Can approach edge | 2-3mm | | **Background** | Must extend to edge | Full bleed | **Standard Rule**: Keep all important content **3mm minimum** inside the trim line. For extra safety, use **5mm**. ## Calculating Your Safety Zone ### The Three Zones Every print design has three distinct areas: ``` ┌───────────────────────────────┐ │ ░░░ BLEED ZONE (3mm) ░░░░░░░░ │ ← Design extends here │ ░┌─────────────────────────┐░ │ │ ░│ ······················· │░ │ ← TRIM LINE (where cut happens) │ ░│ · SAFETY ZONE (3mm+) · │░ │ ← Important content here │ ░│ · ┌───────────────┐ · │░ │ │ ░│ · │ CONTENT │ · │░ │ ← Text, logos, etc. │ ░│ · │ │ · │░ │ │ ░│ · └───────────────┘ · │░ │ │ ░│ ······················· │░ │ │ ░└─────────────────────────┘░ │ │ ░░░░░░░░░░░░░░░░░░░░░░░░░░░░░ │ └───────────────────────────────┘ ``` **Dimensions Example (Business Card)**: * **Bleed Size**: 96mm × 60mm (full design) * **Trim Size**: 90mm × 54mm (final product) * **Safety Zone**: 84mm × 48mm (content area) ### The Math ``` Safety Zone = Trim Size - (Safety Margin × 2) ``` **Example with 3mm safety margin**: * Trim: 90mm × 54mm * Safety: 90 - 6 = **84mm** wide * Safety: 54 - 6 = **48mm** high ## Setting Up Safety Zone in Figma ### Method 1: Visual Guides Set frame to full bleed size (e.g., 96mm × 60mm) Press `Shift + R` to show rulers Drag guides **3mm from each edge** (marks trim line) Drag guides **6mm from each edge** (marks safety zone) Keep all text and important elements **inside the inner guides** ### Method 2: Layout Grid Click on your frame Right panel → Layout Grid → `+` button * Type: Grid * Margin: 6mm (adjust to safety zone size) * Color: Red (high visibility) Keep content inside the red margins **Color-Code Your Guides**: * Red = Safety zone (critical) * Blue = Trim line * Green = Bleed edge ## What Goes Where? ### Must Stay in Safety Zone ✓ Every letter, number, and special character. No exceptions. Company logos, brand marks, icons - all must be well inside. Phone numbers, emails, addresses - critical info needs protection. Must be fully scannable, so keep them safe from cutting. Faces, product photos - don't risk cutting off key elements. ### Can Extend to Edge ✓ Should extend all the way to bleed edge. Decorative backgrounds can bleed off the edge. Patterns, textures, non-critical graphics can extend. Design elements that touch edges intentionally. ## Common Safety Zone Mistakes ### Mistake #1: Text Too Close to Edge **Problem**: Headlines or body text within 2mm of trim **Risk**: Cut-off words, unreadable text **Fix**: Move all text at least 3mm (preferably 5mm) from trim line *** ### Mistake #2: Logo at the Corner **Problem**: Logo positioned right in the corner **Risk**: Logo partially cut off **Fix**: Keep logos 5-7mm from both edges *** ### Mistake #3: Contact Info Near Edge **Problem**: Phone number or email near trim line **Risk**: Critical contact info cut off or unreadable **Fix**: Use generous margins (5mm+) for all contact details *** ### Mistake #4: Forgetting Safety Zone Exists **Problem**: Designing to trim edge without considering cutting variations **Risk**: Random cut-offs, professional-looking disasters **Fix**: Always set up and use safety guides from the start ## Safety Zone for Different Projects ### Business Cards * **Standard**: 3mm safety margin * **Extra safe**: 5mm for important info * **Logos**: 5-7mm from corners ### Flyers & Posters * **Text**: 5mm minimum * **Headlines**: 4-5mm * **Borders**: If used, 5mm+ inside ### Booklets & Magazines * **Inner margin (gutter)**: 5-8mm (consider binding) * **Outer margin**: 5mm * **Header/footer**: 8-10mm from top/bottom ### Packaging * **Text**: 5-8mm (packaging cuts are less precise) * **Barcodes**: 10mm+ (must be fully scannable) * **Die lines**: Consult printer for specific requirements ## Checking Your Safety Zone Before finalizing your design: 1. Enable your safety zone guides 2. Check every page/artboard 3. Verify no text touches or crosses the guides 4. Confirm logos are well inside 1. Zoom to 200-400% 2. Look at all four edges 3. Measure distance of closest elements 4. Ensure 3mm+ minimum clearance 1. Print at actual size 2. Cut to trim size 3. See if it looks right 4. Adjust if anything feels too close ## Special Considerations ### Borders and Frames If your design includes an intentional border: Border should be at least 5mm from trim edge Minimum 2mm thick (thin borders look accidental) Thick borders need more margin (7-10mm+) **Thin borders near edges are risky!** Even 1mm cutting variation makes the border look uneven. Either go bold (5mm+ border, well-inset) or skip the border entirely. ### Folds and Perforations For pieces with folds: * **Fold lines**: Content can be closer (but still 2-3mm away) * **Perforation**: Same as fold lines * **Gutter (center fold)**: Extra margin (5-8mm) for binding ### Multi-Page Documents * **Facing pages**: Consider left/right balance * **Running headers/footers**: Consistent position (8-10mm from edge) * **Page numbers**: Well inside safety zone ## Safety Zone Checklist Before sending to print: * [ ] **Guides set up**: Safety zone guides at 3mm+ from trim * [ ] **All text safe**: Every character is inside safety zone * [ ] **Logos protected**: Logos are 5mm+ from edges * [ ] **Contact info safe**: Critical information well inside * [ ] **QR codes clear**: Codes have 5mm+ margin * [ ] **Corners checked**: No content in danger zones * [ ] **Borders positioned**: If used, borders are 5mm+ inside If all boxes checked, your content is safe from the blade! ## Summary: The Three Zones Remember the three zones in every print design: | Zone | Purpose | Size (from edge) | Content | | ---------- | ------------------- | ---------------- | ----------------------- | | **Bleed** | Prevent white edges | +3mm | Backgrounds extend here | | **Trim** | Final cut line | 0mm | Where cutting happens | | **Safety** | Protect content | -3mm to -5mm | All important content | **Golden Rule**: When in doubt, add more margin. Extra safety space never hurt anyone! ## Next Steps Ensure your prints are sharp and clear Apply safety zones in a real business card Professional print communication Common safety zone issues *** **Questions?** Our [Discord community](https://discord.gg/kUJZQEfdUF) is full of designers who can help with layout challenges! # Black Handling Source: https://docs.printery.app/color/black-handling Master pure black vs rich black for professional results ## Understanding Black in Printing Not all blacks are created equal! In print, there are two main types of black: **Definition**: 100% black ink only **CMYK Values**: C0 M0 Y0 K100 **Characteristics**: * Single ink (K plate only) * Lighter appearance * Faster drying * No registration issues **Best for**: Text, thin lines, small elements **Definition**: Black ink + supporting colors **CMYK Values**: Various recipes (e.g., C60 M40 Y40 K100) **Characteristics**: * Multiple inks layered * Deeper, richer appearance * Longer drying time * Registration-sensitive **Best for**: Large solid areas, backgrounds, luxury designs ## Visual Comparison ``` PURE BLACK (K100) RICH BLACK (C60 M40 Y40 K100) ┌─────────────┐ ┌─────────────┐ │ │ │ │ │ ░░░░░░░ │ │ ████████ │ │ ░░░░░░░ │ │ ████████ │ │ Lighter │ │ Deeper │ │ │ │ │ └─────────────┘ └─────────────┘ ``` **On screen** the difference is subtle. **In print**, rich black is noticeably deeper and more luxurious. ## Pure Black (K100) ### When to Use Pure Black **All body copy** should be pure black (K100) **Why**: * Crisp, clean edges * No registration issues * Easy to read * Industry standard **Example**: * Book text * Magazine articles * Brochure copy * Website print **All small text** must be pure black **Why**: * Multiple inks would blur * Registration shifts visible * Looks muddy if rich black **Rule**: If font size \< 18pt → K100 only **Lines thinner than 2pt** **Why**: * Multiple inks create thick, blurry lines * Registration errors obvious * Pure black stays sharp **Example**: * Borders (\< 2pt) * Decorative lines * Dividers * Underlines **White text knocked out of black background** **Why**: * Registration critical * Multiple inks can create colored halos * K100 background is safest **Exception**: If background is rich black, make text pure knockout ### Pure Black Specifications **Standard pure black**: ``` C: 0% M: 0% Y: 0% K: 100% Total TAC: 100% ``` **RGB approximation** (for screen): * R: 0, G: 0, B: 0 * HEX: #000000 ## Rich Black ### When to Use Rich Black **Backgrounds and large shapes** **Why**: * Much deeper, richer appearance * Luxury feel * Hides paper texture better **Example**: * Page backgrounds * Header/footer bars * Large boxes * Photo borders **Minimum size**: > 1 inch² (6.5 cm²) **High-end branding materials** **Why**: * Conveys quality and sophistication * Deeper than pure black * More impactful **Example**: * Luxury brand materials * Annual reports * Premium packaging * Corporate brochures **Frames around photos** **Why**: * Matches photo depth * Creates seamless transition * Professional appearance **Example**: * Photo book pages * Portfolio layouts * Exhibition prints ### Rich Black Recipes **Recipe**: C60 M40 Y40 K100 **TAC**: 240% **Characteristics**: * Slightly blue-toned * Very deep * Most popular formula **Best for**: * Corporate materials * Technology brands * General use ✅ **Recommended standard** **Recipe**: C40 M60 Y60 K100 **TAC**: 260% **Characteristics**: * Slightly red/brown-toned * Warm, inviting * Softer feel **Best for**: * Food & beverage * Hospitality * Lifestyle brands **Recipe**: C30 M30 Y30 K100 **TAC**: 190% **Characteristics**: * Perfectly neutral * Lower ink coverage * Safer for uncoated paper **Best for**: * Uncoated stock * Lower TAC requirements * Neutral designs **Recipe**: C75 M68 Y67 K90 **TAC**: 300% **Characteristics**: * Deepest possible black * At TAC limit * Slow drying **Best for**: * Art prints * Photography * Maximum impact ⚠️ **Use with caution**: Can exceed TAC limits ### Custom Rich Black **Creating your own recipe**: Black ink is the foundation **Guidelines**: * C: 30-75% * M: 20-70% * Y: 20-70% * K: 90-100% Keep relatively balanced for neutral black **Calculate**: C + M + Y + K = Total **Ensure**: Total ≤ 300% (for ISO Coated v2) **Example**: C60 + M40 + Y40 + K100 = 240% ✓ Order physical proof to verify: * Depth of black * Color tone (cool/warm/neutral) * Drying time ## Registration and Rich Black ### The Registration Problem **Rich black uses 4 plates** (CMYK): ``` Plate 1: Cyan (C60) Plate 2: Magenta (M40) Plate 3: Yellow (Y40) Plate 4: Black (K100) ``` **Risk**: If plates shift (misregister): * Colored edges visible * Blurry appearance * Unprofessional result ### Preventing Registration Issues **Problem**: ``` Rich Black Text (C60 M40 Y40 K100) ↓ (plates misregister) ██ Cyan edge ██ Magenta edge ██ Yellow edge ██ Black text = Blurry, colored halo! ``` **Solution**: Always use K100 for text **When**: Rich black object over another color **Setting**: Enable overprint for rich black **Result**: No knockout = no registration gaps **Example**: * Rich black logo on CMYK photo * Set logo to overprint * Plates can shift without gaps **What**: Slight overlap between colors **When**: Rich black adjacent to light colors **How**: Print shop applies trapping **Result**: Small shifts invisible **Note**: Usually automatic, but inform printer **Problem**: White text knocked out of rich black background **Risk**: * 4-color knockout must align perfectly * Colored halos around white text * Difficult registration **Solutions**: * Option 1: Use pure black (K100) background instead * Option 2: Increase text size (> 24pt) * Option 3: Use bold/thick font weight * Option 4: Accept risk for premium appearance ## TAC Considerations ### Rich Black and TAC Limits **TAC (Total Area Coverage)** limits vary by profile: | ICC Profile | TAC Limit | Max Rich Black | | ----------------- | --------- | ---------------- | | **ISO Coated v2** | 300% | C75 M68 Y67 K90 | | **FOGRA39** | 300% | C60 M40 Y40 K100 | | **SWOP** | 300% | C60 M40 Y40 K100 | | **PSO Uncoated** | 260% | C40 M30 Y30 K100 | | **Japan Color** | 350% | C80 M70 Y70 K100 | ### Staying Within TAC **Safe rich black formulas**: **For 300% TAC limit**: * C60 M40 Y40 K100 = 240% ✓ Safe * C40 M30 Y30 K100 = 200% ✓ Very safe * C75 M68 Y67 K90 = 300% ✓ At limit **Exceeds TAC** ❌: * C100 M100 Y100 K100 = 400% ✗ Way too much * C80 M80 Y80 K100 = 340% ✗ Over limit **Exceeding TAC** causes: * Wet prints (won't dry) * Smearing and offsetting * Paper saturation * Printer rejection ## Uncoated Paper Considerations ### Rich Black on Uncoated Stock **Problem**: Uncoated paper absorbs ink **Impact**: * Lower TAC limits (260%) * Ink spreads more (dot gain) * Rich black can look muddy ### Adjusted Rich Black for Uncoated **Recommended formulas**: ``` Standard uncoated rich black: C: 40% M: 30% Y: 30% K: 100% TAC: 200% ✓ Conservative: C: 30% M: 20% Y: 20% K: 100% TAC: 170% ✓ ``` **Why less ink?** * Prevents saturation * Faster drying * Cleaner appearance * Respects lower TAC limit ## Black Handling in Printery ### Automatic Black Handling Select frame → Launch Printery Navigate to Color settings Look for "Black Handling" or "Rich Black" options **Option 1: Automatic** (Recommended) * Text → Pure black (K100) * Large shapes → Rich black * Plugin decides based on size **Option 2: All Pure Black** * Everything converts to K100 * Safest, no registration issues * Less depth **Option 3: All Rich Black** * Everything uses rich black recipe * Maximum depth * ⚠️ Risky for text! **Option 4: Custom** * Specify rich black recipe * Set size threshold * Advanced control **Default**: C60 M40 Y40 K100 **Or enter custom**: * Cyan: \[%] * Magenta: \[%] * Yellow: \[%] * Black: \[%] **Check TAC** \< 300% PDF will apply chosen black handling ### Recommended Settings **For most projects**: * ✓ Automatic black handling * ✓ Rich black for shapes > 1 inch² * ✓ Pure black for text \< 18pt * ✓ Recipe: C60 M40 Y40 K100 **For text-heavy documents**: * ✓ All pure black (K100) * Safest for books, manuals, forms **For premium materials**: * ✓ Automatic with rich black * ✓ Recipe: C60 M40 Y40 K100 * Test with proof ## Common Black Mistakes **Error**: Using rich black (e.g., C60 M40 Y40 K100) for body text **Result**: * Blurry text * Colored halos * Unprofessional appearance **Fix**: * Text \< 18pt → Always K100 * Re-export with correct settings **Error**: Large solid areas in K100 only **Result**: * Lighter, less impactful black * Amateur appearance * Paper texture visible **Fix**: * Large areas → Rich black * Minimum: C30 M30 Y30 K100 **Error**: Ultra-rich black exceeding 300% **Example**: C100 M100 Y100 K100 = 400% **Result**: * Printer rejection * Wet, smearing prints * Paper saturation **Fix**: * Check TAC (C+M+Y+K ≤ 300%) * Use standard recipe * C60 M40 Y40 K100 = 240% ✓ **Error**: Not converting RGB black to CMYK **Result**: Unpredictable conversion * May become C91 M79 Y62 K97 (way too much!) * Or may become K100 * Inconsistent results **Fix**: * Always convert to CMYK manually * Specify exact K100 or rich black recipe * Use Printery conversion **Error**: Some elements K100, others rich black (unintentionally) **Result**: * Visible color difference * Looks like mistake * Unprofessional **Fix**: * Standardize: Text = K100, shapes = rich black * Document your choices * Be consistent throughout ## Special Black Situations ### Black on Black **Scenario**: Black element on black background **Element**: K100 text **Background**: C60 M40 Y40 K100 **Result**: Subtle contrast (text slightly lighter) **Use case**: Debossed/embossed effect **Element**: C60 M40 Y40 K100 shape **Background**: K100 **Result**: Subtle contrast (shape slightly darker) **Use case**: Textured backgrounds **Element**: C60 M40 Y40 K100 **Background**: C30 M30 Y30 K100 **Result**: Visible difference **Use case**: Layered effects ### Black with Spot Colors **Scenario**: Pantone + Black printing **Options**: 1. **Pure black only** (K100) * No mixing with Pantone * Clean separation * Recommended 2. **Rich black using Pantone** * Example: Pantone 286 C + K100 * Creates color-tinted black * Intentional color effect 3. **Overprinting black on Pantone** * Black text over Pantone background * Creates automatic tinted black * Usually desired ## Decision Tree: Which Black? ``` Is it TEXT? ├─ Yes: K100 (Pure Black) └─ No: Go to next question Is it LARGER than 1 inch² (6.5 cm²)? ├─ Yes: Rich Black (C60 M40 Y40 K100) └─ No: K100 (Pure Black) Is it a LINE? ├─ Thicker than 2pt? │ ├─ Yes: Rich Black OK │ └─ No: K100 (Pure Black) └─ Continue Is paper UNCOATED? ├─ Yes: Lower TAC rich black (C40 M30 Y30 K100) └─ No: Standard rich black (C60 M40 Y40 K100) PREMIUM appearance needed? ├─ Yes: Rich Black └─ No: K100 is fine ``` ## Checking Black Values in PDF Professional version required for this check **Menu**: Tools → Print Production → Output Preview Or: `Shift + Ctrl/Cmd + Y` Enable: * "Show All" for separations * Hover over black areas Tooltip shows CMYK values: * **Text should be**: K100 * **Large areas**: Should show C/M/Y + K100 * **Check consistency**: All blacks same formula ## Industry Standards ### Common Practices **Publishing (books, magazines)**: * Body text: K100 only * Backgrounds: Rich black or photos * Headlines: K100 (even if large) **Corporate materials (brochures, reports)**: * Text: K100 * Header/footer backgrounds: Rich black * Large graphic elements: Rich black **Packaging**: * Text: K100 * Background panels: Rich black or spot black * Premium: Often spot black (Pantone) **Business cards**: * Text: K100 * Background: Rich black (if black background) * Borders: K100 if thin, rich if thick ## Testing Your Black ### Order a Proof **Before full production**: Include: * Pure black text (K100) * Rich black area (your recipe) * Side-by-side comparison \$10-50 investment * Use actual paper stock * Same printing process * Physical sample Check: * Text sharpness (K100) * Background depth (rich black) * Color tone (cool/warm/neutral) * Registration quality * Tweak rich black recipe * Change size thresholds * Modify approach ## Black Handling Checklist Before sending to print: * [ ] **Text is K100**: All text \< 18pt uses pure black * [ ] **Large areas use rich black**: Backgrounds and shapes > 1 inch² * [ ] **Rich black formula set**: C60 M40 Y40 K100 (or custom) * [ ] **TAC within limits**: Total ≤ 300% (or profile limit) * [ ] **Overprint configured**: Black overprints where appropriate * [ ] **Consistency checked**: All blacks intentionally chosen * [ ] **PDF verified**: Checked in Output Preview * [ ] **Proof ordered** (if first time): Physical sample confirmed ## Quick Reference ### Black Formula Summary | Use Case | CMYK Recipe | TAC | When to Use | | ------------------- | ---------------- | ---- | -------------------------- | | **Body text** | K100 | 100% | All text \< 18pt | | **Headlines** | K100 | 100% | For readability | | **Thin lines** | K100 | 100% | Lines \< 2pt | | **Cool rich black** | C60 M40 Y40 K100 | 240% | Coated paper backgrounds | | **Warm rich black** | C40 M60 Y60 K100 | 260% | Warm tone designs | | **Neutral rich** | C30 M30 Y30 K100 | 190% | Uncoated paper | | **Maximum black** | C75 M68 Y67 K90 | 300% | Art prints (use carefully) | ## Learn More How overprint affects black Complete color workflow Understanding ink coverage Fix black handling issues *** **Pro Tip**: When in doubt, use K100 for text and C60 M40 Y40 K100 for large backgrounds. This covers 95% of situations perfectly! # ICC Profiles Guide Source: https://docs.printery.app/color/icc-profiles Choose the right ICC profile for perfect color reproduction ## What Are ICC Profiles? ICC (International Color Consortium) profiles are standardized files that define how colors should be interpreted and converted between different devices and printing conditions. Think of ICC profiles as **translation dictionaries** between different color languages (RGB screen vs CMYK print). ## How ICC Profiles Work ``` Your Design (RGB colors) ↓ ICC Profile (translation rules) ↓ Printer Output (CMYK colors) ``` Each profile contains: * **Color space definition**: What colors can be reproduced * **Conversion rules**: How to map RGB to CMYK * **Rendering intents**: How to handle out-of-gamut colors * **Black generation**: How to create blacks (GCR/UCR) ## Common ICC Profiles ### For Coated Paper (Glossy/Matte) **Region**: Europe, Global **Standard**: ISO 12647-2 **Paper**: Coated paper (glossy/matte) **Ink Limit**: 300% TAC **When to use**: * European printing * Standard commercial printing * Magazine production * High-quality brochures **Color characteristics**: * Vibrant colors * Good color gamut * Industry standard ✅ **Most recommended** - Works 90% of the time **Region**: Europe **Standard**: ISO 12647-2 **Paper**: Coated paper **Ink Limit**: 300% TAC **When to use**: * European offset printing * Similar to ISO Coated v2 * Legacy standard (still widely used) **Color characteristics**: * Similar to ISO Coated v2 * Slightly different blacks * Very common in Europe **Region**: United States **Standard**: SWOP (Specifications for Web Offset Publications) **Paper**: Coated paper (web press) **Ink Limit**: 300% TAC **When to use**: * US printing * Magazine/newspaper production * Web offset printing **Color characteristics**: * Slightly less vibrant than ISO Coated * Optimized for US inks and paper * Industry standard in USA **Region**: Japan, Asia **Standard**: Japan Color **Paper**: Coated paper **Ink Limit**: 320-350% TAC **When to use**: * Japanese printing * Asian market * Higher ink limit **Color characteristics**: * Different color balance * Higher TAC allows richer colors * Optimized for Asian printing **Region**: United States **Standard**: GRACoL (General Requirements for Applications in Commercial Offset Lithography) **Paper**: Coated sheet **Ink Limit**: 300% TAC **When to use**: * US sheet-fed printing * High-end commercial printing * Packaging **Color characteristics**: * Excellent color reproduction * Tighter tolerances * Premium quality ### For Uncoated Paper **Region**: Europe **Paper**: Uncoated offset paper **Ink Limit**: 260% TAC **When to use**: * Letterhead * Business forms * Books (uncoated paper) * Envelopes **Color characteristics**: * More subdued colors * Lower ink limit (paper absorbs more) * Natural, organic look **Region**: Europe **Paper**: Uncoated offset **Ink Limit**: 260% TAC **When to use**: * Books and publications * Stationery * Alternative to PSO Uncoated **Color characteristics**: * Softer colors * Good for text-heavy work * Less color vibrancy ## How to Choose the Right Profile ### Decision Tree **Best approach**: Contact your printer and ask: * "What ICC profile do you recommend?" * "What's your standard color profile?" Most professional printers will specify their preferred profile. If printer doesn't specify: * **Europe/Global**: ISO Coated v2 300% * **United States**: US Web Coated (SWOP) v2 or GRACoL * **Asia/Japan**: Japan Color 2001 * **Coated paper** (shiny/matte): Use coated profile * **Uncoated paper** (textured/natural): Use uncoated profile * **Not sure?** Coated is most common for marketing materials * **Offset printing**: Standard ICC profiles * **Digital printing**: Ask printer (may have custom profile) * **Web press**: SWOP profiles * **Sheet-fed**: GRACoL or ISO Coated ### Quick Reference Table | Your Situation | Recommended Profile | | ---------------------------- | ----------------------------------- | | **Europe, don't know paper** | ISO Coated v2 300% | | **USA, magazine/web** | US Web Coated (SWOP) v2 | | **USA, high-end sheet** | GRACoL 2006 | | **Asia/Japan** | Japan Color 2001 | | **Books (uncoated paper)** | PSO Uncoated or FOGRA29 | | **Not sure at all** | ISO Coated v2 300% (safest default) | ## Setting ICC Profile in Printery Select your frame and launch Printery Click the "Color" tab in the plugin interface Check "Convert to CMYK" From dropdown menu, choose your profile: * ISO Coated v2 300% (recommended default) * Or printer's specified profile Usually **Relative Colorimetric** (default, best for most cases) Profile will be embedded in your PDF ## Custom ICC Profiles ### When You Need Custom Profiles * Printer provides their own ICC profile * Specialty printing (unusual substrates) * Color-critical work requiring exact calibration * Print shop has custom press configuration ### How to Upload Custom Profile **Pro Feature**: Custom ICC upload requires Pro subscription Obtain .icc or .icm file from your printer Printery → Color tab → ICC Profile section "Upload Custom ICC Profile" button Choose your .icc file from your computer Custom profile now appears in dropdown menu ## Understanding Profile Specifications ### TAC (Total Area Coverage) **Definition**: Maximum total ink percentage allowed | Profile | TAC Limit | Reason | | ------------- | --------- | --------------------- | | ISO Coated v2 | 300% | Standard for coated | | FOGRA39 | 300% | Standard offset | | Japan Color | 350% | Japanese standard | | PSO Uncoated | 260% | Uncoated absorbs more | | US Web Coated | 300% | Standard for web | **Exceeding TAC** can cause: * Wet prints (won't dry properly) * Smearing and offsetting * Paper saturation * Printer rejection ### Dot Gain **Definition**: How much ink spreads when hitting paper * **Coated paper**: Less dot gain (smoother surface) * **Uncoated paper**: More dot gain (absorbs ink) * **Newsprint**: High dot gain (very absorbent) ICC profiles compensate for expected dot gain in their conversion rules. ## Embedding vs Not Embedding ### Embedded Profile (Recommended) **What it means**: ICC profile data is included in the PDF **Pros**: * Ensures consistent color interpretation * Printer knows exact color space * Professional standard * No ambiguity **Cons**: * Slightly larger file size (+50-100KB) ✅ **Always embed for professional printing** ### No Embedded Profile **What it means**: PDF converted to CMYK but no profile info **Pros**: * Slightly smaller file **Cons**: * Printer may interpret colors differently * Risk of color shifts * Not recommended ## Profile Comparison ### Color Gamut Size ``` Largest to Smallest Color Gamut: RGB (screen) ─────────┐ Widest │ ISO Coated v2 ────────┤ FOGRA39 ──────────────┤ Similar GRACoL ───────────────┤ │ SWOP ─────────────────┤ Slightly smaller │ Japan Color ──────────┤ Higher TAC │ Uncoated profiles ────┘ Narrowest ``` All CMYK profiles have narrower gamut than RGB - it's the nature of print vs screen. ## Testing Your Profile Choice ### Before Full Production Create small test with various colors Use monitor with color calibration if available \$10-50 investment to see actual printed colors Compare proof to screen expectations * Try different profile * Adjust source colors * Use spot colors for critical hues ## Common Profile Mistakes ### Mistake #1: Wrong Region Profile **Problem**: Using US profile for European printer (or vice versa) **Result**: Color shifts, printer confusion **Fix**: Always check with printer or match your region *** ### Mistake #2: Coated vs Uncoated Mismatch **Problem**: Using coated profile for uncoated paper **Result**: Colors too dark/muddy (ink absorption not accounted for) **Fix**: Match profile to actual paper type *** ### Mistake #3: Not Embedding Profile **Problem**: Converting to CMYK but not embedding profile **Result**: Unpredictable color interpretation **Fix**: Always embed ICC profile in PDF *** ### Mistake #4: Random Profile Selection **Problem**: Picking profile without understanding or asking printer **Result**: May not match printer's calibration **Fix**: Ask printer first, or use ISO Coated v2 as safe default ## Advanced: Creating Custom Profiles For advanced users or print shops: ### When to Create Custom Profile * You have calibrated spectrophotometer * Custom press setup * Unique paper/ink combination * Need exact color matching ### Tools Required * Spectrophotometer (X-Rite, etc.) * Color management software * Test charts * Knowledge of color science Most users don't need custom profiles. Standard profiles work excellently for 99% of projects. ## Profile Conversion Quality ### Factors Affecting Quality | Factor | Impact | Control | | -------------------- | ------ | ------------------------- | | **Profile accuracy** | High | Choose reputable profile | | **Rendering intent** | Medium | Select appropriate intent | | **Source colors** | High | Design CMYK-friendly | | **Black generation** | Medium | Trust profile settings | ## Troubleshooting Profile Issues **Causes**: * RGB colors out of CMYK gamut * Using uncoated profile with coated paper **Solutions**: * Design with CMYK-friendly colors * Verify correct profile for paper type * Consider spot colors for vibrant hues **Causes**: * Profile doesn't match their press * Regional mismatch **Solutions**: * Ask for their preferred profile * Re-export with correct profile * Upload their custom profile (Pro feature) **Causes**: * Viewer not reading embedded profile * Monitor not calibrated **Solutions**: * Use Adobe Acrobat for accurate preview * Request physical proof * Remember: screen can't perfectly show CMYK ## Quick Reference ### Top 3 Profiles (Cover 90% of Cases) 1. **ISO Coated v2 300%** - Default choice, works almost everywhere 2. **US Web Coated (SWOP) v2** - US printing, magazines 3. **PSO Uncoated** - Uncoated paper, stationery ### Profile Selection Cheatsheet ``` ┌─ Printing in Europe? ─→ ISO Coated v2 300% │ ├─ Printing in USA? ─→ SWOP v2 or GRACoL │ ├─ Printing in Asia? ─→ Japan Color 2001 │ ├─ Uncoated paper? ─→ PSO Uncoated or FOGRA29 │ └─ Not sure? ─→ ISO Coated v2 300% (safest) ``` ## Learn More Understand color management basics Deep dive into color models Fix common color problems Complete profile specifications *** **Pro Tip**: When in doubt, use **ISO Coated v2 300%** and ask your printer. They can always specify if they need something different! # Overprint Settings Source: https://docs.printery.app/color/overprint Master overprint techniques for professional printing ## What Is Overprint? **Overprint** means ink prints **on top of** another color, rather than knocking out (removing) the background color. Think of overprint like **layering transparent sheets** - colors blend together, versus cutting a hole and filling it. ## Overprint vs Knockout ### Visual Comparison ``` KNOCKOUT (Default): ┌─────────────────┐ │ Background │ │ ┌──────────┐ │ ← Background removed │ │ Text │ │ ← Text fills the hole │ └──────────┘ │ └─────────────────┘ OVERPRINT: ┌─────────────────┐ │ Background │ │ ████████████ │ ← Background stays │ ████Text████ │ ← Text prints on top │ ████████████ │ ← Colors blend └─────────────────┘ ``` ### Example: Black Text on Cyan Background | Method | What Happens | Result Color | | ------------- | ------------------------------ | ------------------- | | **Knockout** | Cyan removed, black fills hole | Pure black | | **Overprint** | Black prints over cyan | Black (darker cyan) | ## Why Use Overprint? **Problem**: Printing plates can shift slightly (misregistration) **Without overprint**: ``` ┌──────────┐ │ Text │ ← Knockout hole └──────────┘ ↓ (plates shift) ┌──────────┐ │ T xt │ ← White gap shows! └──────────┘ ``` **With overprint**: * Black prints over background * Small shifts invisible * No white gaps **Best for**: Small text, fine lines **Overprinting black over colors** creates richer, denser black **Standard black**: K100 only **Overprint black**: K100 + underlying CMYK **Example**: * Background: C50 M20 Y0 K0 * Black text (overprint): K100 * **Result**: C50 M20 Y0 K100 (richer black) **Best for**: Headlines, logos, body text on colored backgrounds **Creative blending** of spot colors or process colors **Example**: * Yellow background (Y100) * Cyan shape (overprint) (C100) * **Result**: Green where they overlap **Best for**: Artistic designs, intentional color mixing **Less plate processing** when black text overprints * Printer doesn't need to knock out thousands of letters * Faster RIP (Raster Image Processing) * Lower production time **Best for**: Text-heavy documents ## When to Use Overprint ### ✅ Always Overprint **Black text on any colored background** **Why**: Prevents registration gaps, creates richer black **Settings**: * Black fill: Overprint ✓ * Black stroke: Overprint ✓ **Applies to**: * Body text * Headlines * Small type (\< 18pt) **Black strokes/borders over colors** **Why**: Prevents white gaps from misregistration **Settings**: * Black stroke: Overprint ✓ **Applies to**: * Thin lines (\< 2pt) * Borders * Illustrations **Very dark colors on very light backgrounds** **Example**: C100 M100 text on C10 M10 background **Why**: Small registration errors won't show **Settings**: * Fill: Overprint ✓ ### ❌ Never Overprint **Do NOT overprint in these situations:** **Problem**: Light ink disappears over dark ink **Example**: * Yellow text (Y100) * Black background (K100) * **Overprint result**: Yellow disappears (invisible!) **Solution**: Use knockout (default) **Problem**: White/light colors have no opacity **Example**: * White text on blue background * **Overprint result**: No white ink = text invisible! **Solution**: Must knockout **Problem**: Unpredictable color mixing **Example**: * Pantone 286 C (blue) * Pantone 185 C (red) overprint * **Result**: Unknown purple (not brand accurate!) **Exception**: Intentional spot color blending **Solution**: Knockout unless intentionally mixing **Problem**: Excessive ink buildup **Example**: * Large cyan box (C100) * Large magenta box overprint (M100) * **Result**: C100 + M100 = wet, smearing **Issue**: Exceeds TAC (Total Area Coverage) **Solution**: Knockout for large overlaps ## Overprint Settings in Printery Select your frame and launch Printery Navigate to the Color tab in plugin interface Scroll to "Overprint" settings area **Option 1: Automatic Black Overprint** * ✓ "Overprint black objects automatically" * Plugin applies overprint to all black elements * **Most common setting** This automatically sets: * Black text → Overprint ✓ * Black lines → Overprint ✓ * Black shapes → Overprint ✓ **Option 2: Manual Control** * Select specific colors to overprint * Set thresholds (e.g., only text \< 12pt) * Override specific elements **Pro feature**: Advanced overprint control * Enable "Overprint Preview" in PDF viewer * See how colors will actually print * Verify no unintended color mixing ## Understanding Color Mixing with Overprint ### CMYK Color Mixing When overprinting process colors, they mix: | Top Color | Bottom Color | Result | | ------------------ | -------------- | ----------------- | | **Cyan (C100)** | Yellow (Y100) | Green | | **Magenta (M100)** | Yellow (Y100) | Red/Orange | | **Cyan (C100)** | Magenta (M100) | Blue/Purple | | **Black (K100)** | Any color | Richer black | | **Yellow (Y100)** | Black (K100) | Yellow disappears | ### Rich Black Creation **Overprinting black creates automatic rich black**: ``` Example 1: Background: C20 M10 Y0 K0 (light blue) Black text (K100) overprints = Text becomes: C20 M10 Y0 K100 (blue-black) Example 2: Background: C0 M0 Y50 K0 (yellow) Black text (K100) overprints = Text becomes: C0 M0 Y50 K100 (warm black) ``` This automatic rich black is **free** - you get richer color without extra effort! ## Checking Overprint in PDFs ### Overprint Preview Mode **Most PDF viewers hide overprint effects by default** Professional PDF viewer required (free Reader works) **Menu**: View → Show/Hide → Rulers & Grids → **Overprint Preview** Or: **Shortcut**: `Cmd/Ctrl + Shift + Y` Toggle preview on/off to see difference: * **Off**: Shows knockout (what you designed) * **On**: Shows overprint (what will print) Check that: * Black text looks correct * No unwanted color mixing * Light colors haven't disappeared ### What to Look For **With overprint preview on**: * Black text should be black * Slight color tint is OK (rich black) * No major color shifts **If text looks wrong**: Check overprint settings **Common mistake**: Light colors overprinting on dark **Check**: * All elements visible * White/yellow/light colors not disappeared **Fix**: Disable overprint for those elements **Colors should only mix** where you intended **Check**: * Overlapping shapes * Unexpected color changes **Fix**: Use knockout instead of overprint ## Black Overprint Best Practices ### Typography | Type Size | Recommendation | | ------------------------ | --------------------------------------- | | **Small text (\< 12pt)** | Always overprint | | **Body text (12-18pt)** | Always overprint | | **Headlines (> 18pt)** | Usually overprint | | **Large display text** | Consider knockout if vibrant background | ### Black Weight Considerations **Pure black (K100)**: * Always safe to overprint * Creates rich black automatically **Dark grays** (e.g., K80): * Usually OK to overprint * Check preview **Light grays** (e.g., K20): * Do NOT overprint * May disappear on dark backgrounds ## Spot Color Overprint ### When to Overprint Spot Colors **Create custom colors** by mixing spot colors **Example**: * Pantone 185 C (red) background * Pantone 2925 C (blue) overprint * **Result**: Custom purple **Use case**: Expanding color palette without extra plates **Spot color over CMYK images** **Example**: * Full-color CMYK photo * Pantone logo overprints * **Result**: Logo visible over photo **Use case**: Logo on photos **Spot varnish overprints** everything **Example**: * Full design in CMYK * Spot UV varnish plate overprints logo area * **Result**: Glossy logo on matte background **Use case**: Special finishes ### Spot Color Overprint Risks **Unpredictable results** when overprinting spot colors! **Problem**: Pantone colors are premixed * Mixing them creates unknown colors * Not Pantone-specified * Can't predict exact result **Solution**: * Get physical proof before production * Test color mixing with printer * Use Pantone mixing guides if available ## TAC and Overprint **Total Area Coverage (TAC)** limits apply to overprint ### Example ``` Background: C50 M40 Y30 K0 = 120% TAC Black text (K100) overprints Result: C50 M40 Y30 K100 = 220% TAC Is this OK? ✓ Yes - 220% is under 300% limit (for ISO Coated v2) ``` ### When Overprint Exceeds TAC **Problem scenario**: ``` Background: C80 M80 Y80 K0 = 240% TAC Black shape (K100) overprints Result: C80 M80 Y80 K100 = 340% TAC ✗ Exceeds 300% limit! ``` **Issues**: * Wet ink, smearing * Extended drying time * Possible rejection by printer **Solutions**: 1. Use knockout instead of overprint 2. Reduce background density 3. Use lighter black (K80 instead of K100) 4. Consult printer about higher TAC capability ## Common Overprint Mistakes **Error**: Setting white elements to overprint **Result**: White becomes transparent = invisible **Why it happens**: Default setting misapplied **Fix**: * White MUST knockout * Disable overprint for white colors * Check in overprint preview **Error**: Yellow text overprinting dark backgrounds **Result**: Yellow disappears or looks muddy **Why it happens**: Assuming all text should overprint **Fix**: * Only dark colors should overprint * Use knockout for yellow/light colors **Error**: Exporting without overprint preview check **Result**: Surprises at print shop **Why it happens**: PDF looks fine in normal view **Fix**: * ALWAYS check overprint preview * Compare before/after * Verify with printer **Error**: Large overlapping shapes set to overprint **Result**: TAC exceeded, ink buildup **Why it happens**: Blanket overprint setting **Fix**: * Only overprint small text/lines * Knockout large shapes * Check TAC values ## Industry Standards ### Default Overprint Rules **Professional printing standard**: * Black text: Always overprint * Black lines (\< 2pt): Overprint * Black shapes: Usually overprint * All other colors: Knockout (default) ### Printer Expectations **Most commercial printers expect**: * Automatic black overprint * No overprint on white * Spot colors knockout unless specified * Varnishes/coatings overprint **When in doubt, ask your printer!** They can advise on their press capabilities and preferences. ## Troubleshooting Overprint Issues **Symptoms**: Light-colored elements missing from printed piece **Cause**: Light colors set to overprint on dark backgrounds **Diagnosis**: * Open PDF in Acrobat * Enable Overprint Preview (`Cmd/Ctrl + Shift + Y`) * Look for disappeared elements **Solution**: * Disable overprint for light colors * Re-export PDF * Verify in overprint preview **Symptoms**: Colors look different than designed **Cause**: Unintended overprint mixing colors **Diagnosis**: * Check overprint preview * Identify overlapping elements * Look for color mixing **Solution**: * Use knockout instead of overprint * Adjust overprint settings in plugin * Test with physical proof **Symptoms**: Printer says ink coverage too high **Cause**: Overprint creating TAC > 300% **Diagnosis**: * Check areas where colors overlap * Calculate combined TAC * Identify problem zones **Solution**: * Use knockout for large shapes * Reduce background density * Limit overprint to text only **Symptoms**: White gaps still visible **Cause**: Overprint not enabled correctly **Diagnosis**: * Check PDF with overprint preview * Verify black elements set to overprint * Confirm settings in export **Solution**: * Re-enable overprint in plugin * Re-export PDF * Verify with printer ## Overprint Checklist Before sending to print: * [ ] **Black overprint enabled**: Automatic setting on * [ ] **White NOT overprinting**: Would become invisible * [ ] **Light colors knockout**: Yellow, light tints use knockout * [ ] **Overprint preview checked**: Verified in Adobe Acrobat * [ ] **No disappeared elements**: All content visible in preview * [ ] **TAC within limits**: No excessive ink from overprint * [ ] **Spot colors verified**: Intentional mixing only * [ ] **Printer consulted**: Confirmed preferences if uncertain ## Advanced: Selective Overprint **Pro users**: Control overprint per element ### Use Cases **Scenario**: Black logo over CMYK photo **Settings**: * Logo fill: Overprint ✓ * Logo outline: Overprint ✓ **Result**: Logo prints cleanly without knockout gaps **Scenario**: Shadow effect over complex background **Settings**: * Shadow: Overprint ✓ * Blends naturally with background **Result**: Smooth shadow integration **Scenario**: Thin decorative lines over colors **Settings**: * Lines \< 1pt: Overprint ✓ * Prevents registration gaps **Result**: Clean, unbroken lines ## Learn More Rich black vs pure black strategies Complete color workflow guide Understanding ink coverage Fix common color problems *** **Pro Tip**: When in doubt, enable automatic black overprint and leave everything else as knockout. This handles 95% of cases correctly! # Color Management Overview Source: https://docs.printery.app/color/overview Master color management for accurate, professional print results ## Why Color Management Matters Color management is the difference between "close enough" and "exactly right" in print design. Poor color management leads to: * ❌ Brand colors that don't match * ❌ Photos that look dull or wrong * ❌ Expensive reprints * ❌ Unhappy clients **Good color management** ensures your prints look as intended - consistently, every time. ## The Color Challenge The fundamental problem: ``` Your Screen (RGB) → Printing (CMYK) ┌─────────────┐ ┌─────────────┐ │ Emits Light │ │ Reflects │ │ Wide Gamut │ ≠ │ Narrower │ │ Vibrant │ │ Subdued │ └─────────────┘ └─────────────┘ ``` **Critical Fact**: CMYK cannot reproduce all RGB colors. Some colors will shift - this is physics, not a software problem! ## Core Color Concepts ### 1. RGB Color Model (Screen) **How it works**: * **Light-based**: Emits colored light * **Additive**: Mix colors to create white * **Components**: Red + Green + Blue * **Range**: 16.7 million colors **Uses**: * Computer monitors * TVs and displays * Mobile devices * Web design ``` RGB Mixing: Red + Green = Yellow Red + Blue = Magenta Green + Blue = Cyan All combined = White ``` ### 2. CMYK Color Model (Print) **How it works**: * **Ink-based**: Subtracts colors from white paper * **Subtractive**: Mix inks to create black * **Components**: Cyan + Magenta + Yellow + Black (Key) * **Range**: Fewer colors than RGB **Uses**: * Offset printing * Digital printing * Magazines, books * All physical print media ``` CMYK Mixing: Cyan + Magenta = Blue Cyan + Yellow = Green Magenta + Yellow = Red All combined ≈ Black (muddy) K (Black) = Clean black ``` **Why "K" for black?** "K" stands for "Key" plate - traditionally the plate that carries the key image details. ## The Color Gamut Problem **Gamut** = The range of colors a system can reproduce ``` ┌──────────────────────────┐ │ RGB Gamut (larger) │ │ ┌──────────────────┐ │ │ │ CMYK Gamut │ │ │ │ (smaller) │ │ │ │ │ │ │ └──────────────────┘ │ │ │ └──────────────────────────┘ Colors in RGB but outside CMYK = Will shift when converted ``` ### Colors That Shift Most **RGB Blues**: Vibrant, electric **CMYK Result**: Darker, more subdued **Example**: * Screen: Bright cyan (#00FFFF) * Print: Noticeably darker **RGB Greens**: Neon, bright **CMYK Result**: Less saturated **Example**: * Screen: Lime green (#00FF00) * Print: More muted, yellowish **RGB Oranges**: Intense **CMYK Result**: Slightly duller **Example**: * Screen: Bright orange (#FF6600) * Print: Less punchy **RGB Purples**: Vibrant **CMYK Result**: Can shift toward blue or red **Example**: * Screen: Royal purple (#6600FF) * Print: May appear more blue **Most Problematic**: Neon colors, pure RGB primaries, and highly saturated hues. ## ICC Profiles: The Translation Layer **ICC Profiles** are standardized color "dictionaries" that translate colors accurately between different devices and systems. ### How ICC Profiles Work ``` Your Design (RGB) ↓ ICC Profile (Translation rules) ↓ Print Output (CMYK) ``` Think of ICC profiles as **language translators**: * You speak RGB (English) * Printer speaks CMYK (Spanish) * ICC profile translates between them ### Common ICC Profiles | Profile | Region/Use | Paper Type | When to Use | | --------------------------- | ------------- | ------------ | --------------------------------- | | **ISO Coated v2 300%** | Europe | Coated paper | Most common (recommended default) | | **FOGRA39** | Europe/Global | Coated | Standard commercial printing | | **US Web Coated (SWOP) v2** | United States | Coated web | US magazines, publications | | **Japan Color 2001 Coated** | Japan/Asia | Coated | Asian market printing | | **PSO Uncoated ISO 12647** | Europe | Uncoated | Letterhead, business forms | | **GRACoL 2006** | United States | Coated sheet | US commercial printing | **Not sure which to use?** Start with **ISO Coated v2 300%** - it's the most widely accepted profile worldwide. ## Color Conversion Strategies Printery offers multiple approaches: ### 1. Automatic CMYK Conversion **How it works**: * Plugin converts RGB → CMYK using selected ICC profile * Rendering intent determines how out-of-gamut colors are handled **Best for**: * Most projects * Quick turnaround * Standard color accuracy ### 2. Custom Color Mapping **How it works**: * You define exact CMYK values for specific RGB colors * Plugin uses your mappings for those colors **Best for**: * Brand colors that must be exact * When you have approved CMYK values * Critical color matching ### 3. Spot Color Usage **How it works**: * Uses premixed Pantone inks instead of CMYK * Exact color match guaranteed **Best for**: * Brand logos and colors * Metallics, fluorescents * When color consistency is critical These strategies can be combined! Use spot colors for logos, CMYK for photos, custom mapping for brand colors. ## Rendering Intents When converting RGB to CMYK, you choose a **rendering intent** - how out-of-gamut colors are handled: | Intent | How It Works | Best For | Result | | ------------------------- | --------------------------------------- | ------------------------- | --------------------------------- | | **Relative Colorimetric** | Maps out-of-gamut to nearest CMYK color | Most designs (default) | Preserves color relationships | | **Perceptual** | Compresses entire gamut to fit CMYK | Photos with many colors | Smooth transitions, less accuracy | | **Absolute Colorimetric** | Exact match including paper white | Color proofing | Most accurate, can clip colors | | **Saturation** | Maximizes color vibrancy | Business graphics, charts | Vibrant, less accurate | **Recommendation**: Use **Relative Colorimetric** for 95% of projects. It provides the best balance of accuracy and visual appeal. ## The Color Management Workflow Create your design in Figma using RGB colors (native color space) Note any brand colors or colors that must be exact Select profile based on: * Your region * Paper type * Printer recommendations Define exact CMYK values for brand colors Use Printery to preview CMYK version If colors shift too much, consider: * Using spot colors * Adjusting RGB values * Custom CMYK mapping Export PDF with selected ICC profile embedded Check colors in Adobe Acrobat or proof print ## Managing Expectations ### What You Can Control ✅ **Consistent conversion** - Same input always produces same output ✅ **Professional profiles** - Using industry-standard ICC profiles ✅ **Spot color accuracy** - Pantone colors print exactly ✅ **Black handling** - Pure black text vs rich black areas ### What You Cannot Control ❌ **Physics** - CMYK gamut is smaller than RGB ❌ **Paper variations** - Different papers show colors differently ❌ **Viewing conditions** - Light source affects perceived color ❌ **Press conditions** - Slight variations between print runs **Set Realistic Expectations**: Perfect color matching between screen and print is impossible. The goal is consistent, predictable, professional results. ## Common Color Issues and Solutions **Causes**: * RGB colors outside CMYK gamut * Wrong ICC profile * Uncoated paper used **Solutions**: * Choose CMYK-friendly colors from start * Use spot colors for critical hues * Request coated paper for more vibrant output **Causes**: * Automatic conversion altered colors * Brand colors defined in RGB only **Solutions**: * Get approved CMYK or Pantone values * Use custom color mapping * Consider spot colors for logos **Causes**: * Different ICC profiles used * Different printers or batches * Paper stock variations **Solutions**: * Always use same ICC profile * Use same printer when possible * Request color-managed proofs **Causes**: * Conversion created too much ink coverage * Dark colors using all four inks **Solutions**: * Enable GCR (Gray Component Replacement) * Adjust total ink limit in settings * Use UCR for dark areas ## Quick Start: Color Management in 3 Steps For most projects, follow this simple workflow: In Printery → Color tab: * ✓ Enable "Convert to CMYK" Select **ISO Coated v2 300%** (best default) Or ask your printer for their preference Export PDF - colors will be professionally converted That's it for basic projects! For advanced needs, explore custom mapping and spot colors. ## Learn More About Color Understand the technical details Choose the right profile for your project When and how to use spot colors Rich black vs pure black strategies Fix common color problems Achieve professional color results ## Color Management Checklist * [ ] **ICC profile selected**: Appropriate for paper and region * [ ] **Rendering intent chosen**: Usually Relative Colorimetric * [ ] **Brand colors verified**: CMYK or Pantone values confirmed * [ ] **Spot colors defined**: If using Pantone * [ ] **Black strategy set**: K100 for text, rich black for areas * [ ] **PDF verified**: Checked in Acrobat or proof print * [ ] **Printer consulted**: Confirmed their color requirements With proper color management, your prints will match expectations every time! *** **Color matching is both art and science**. Join our [Discord](https://discord.gg/kUJZQEfdUF) to learn from experienced print designers! # RGB vs CMYK Deep Dive Source: https://docs.printery.app/color/rgb-vs-cmyk Complete technical guide to understanding RGB and CMYK color models ## The Fundamental Difference RGB and CMYK are opposite color models: | Aspect | RGB | CMYK | | ------------ | ------------------------ | -------------------------------- | | **Method** | Additive (adds light) | Subtractive (absorbs light) | | **Medium** | Light emission | Ink on paper | | **Black** | Absence of light (0,0,0) | All inks mixed | | **White** | All light (255,255,255) | No ink (paper white) | | **Channels** | 3 (Red, Green, Blue) | 4 (Cyan, Magenta, Yellow, Black) | | **Gamut** | Wider (more colors) | Narrower (fewer colors) | | **Use** | Screens, digital | Physical printing | **Key Insight**: RGB creates color by adding light. CMYK creates color by subtracting (absorbing) light from white paper. ## How RGB Works (Additive Color) RGB is based on **light emission**: ``` Start with darkness (black) + Red light + Green light + Blue light = White light ``` ### RGB Color Mixing * **Red + Green** = Yellow * **Red + Blue** = Magenta * **Green + Blue** = Cyan * **All three** = White * **None** = Black ### RGB Value Ranges Each channel: **0-255** (256 levels) * Total combinations: **16,777,216 colors** * Example: `rgb(255, 0, 0)` = Pure red ### RGB Color Spaces | Space | Gamut Size | Use Case | | ---------------- | ------------------- | -------------------- | | **sRGB** | Standard (smallest) | Web, general use | | **Adobe RGB** | Wider | Professional photo | | **ProPhoto RGB** | Widest | High-end photography | | **Display P3** | Wide | Apple devices | ## How CMYK Works (Subtractive Color) CMYK is based on **ink absorption**: ``` Start with white paper + Cyan ink (absorbs red, reflects blue+green) + Magenta ink (absorbs green, reflects red+blue) + Yellow ink (absorbs blue, reflects red+green) + Black ink (absorbs all light) = Desired color ``` ### CMYK Color Mixing * **Cyan + Magenta** = Blue * **Cyan + Yellow** = Green * **Magenta + Yellow** = Red * **C+M+Y** = Muddy brown (not true black) * **Add K (Black)** = Clean blacks and shadows ### CMYK Value Ranges Each channel: **0-100%** * C50 M0 Y100 K0 = Lime green * C100 M100 Y0 K0 = Blue * C0 M0 Y0 K100 = Black ### Why "K" for Black? Three theories: 1. **Key plate** - carries the key image details 2. **blacK** - distinguish from Blue (B) 3. **Keyline** - black outline in registration Most likely: "K" = **Key plate** in traditional four-color printing. ## The Gamut Gap Not all RGB colors can be printed in CMYK: ``` Visible Spectrum ┌─────────────────────────────┐ │ RGB Gamut │ │ ┌────────────────────┐ │ │ │ CMYK Gamut │ │ │ │ ┌──────────┐ │ │ │ │ │ Common │ │ │ │ │ │ Colors │ │ │ │ │ └──────────┘ │ │ │ └────────────────────┘ │ └─────────────────────────────┘ Overlap = Colors that exist in both RGB only = Screen colors that can't print CMYK only = Very rare (some dark browns) ``` ### Out-of-Gamut Colors **Most problematic RGB colors**: * Bright neon blues (electric blue) * Pure cyan (#00FFFF) * Lime green (#00FF00) * Pure magenta (#FF00FF) * Bright orange (#FF6600) These colors **will shift** when converted to CMYK - it's unavoidable. ## Conversion Process ### How Conversion Works Plugin reads RGB color: e.g., rgb(0, 128, 255) Uses selected profile (e.g., ISO Coated v2) as conversion rules Calculates closest CMYK equivalent Handles out-of-gamut colors based on intent selected Ensures total ink coverage doesn't exceed 300% Creates CMYK PDF with embedded profile ### Color Conversion Examples **RGB**: `rgb(255, 0, 0)` - Pure red **CMYK**: `C0 M100 Y100 K0` **Result**: ✅ Converts well (in both gamuts) **RGB**: `rgb(0, 100, 255)` - Bright blue **CMYK**: `C76 M50 Y0 K0` (approximately) **Result**: ⚠️ Slightly darker in print **RGB**: `rgb(0, 255, 0)` - Lime green **CMYK**: `C70 M0 Y100 K0` (varies) **Result**: ❌ Significantly less vibrant **RGB**: `rgb(128, 128, 128)` - 50% gray **CMYK**: `C0 M0 Y0 K50` **Result**: ✅ Converts perfectly ## When to Use Which ### Use RGB When: ✅ **Designing for screens** - Websites, apps, presentations ✅ **Initial design phase** - Native Figma color space ✅ **Digital-only deliverables** - No physical printing ✅ **Video/motion graphics** - Screen-based media ### Use CMYK When: ✅ **Printing physically** - Anything on paper or substrate ✅ **Final print files** - Pre-press and production ✅ **Color-critical prints** - When accuracy matters ✅ **Communicating with printers** - Industry standard **Never design in CMYK in Figma!** Always design in RGB and convert for export. This gives you the most flexibility and compatibility. ## Black Handling: K vs CMY Two ways to create black in CMYK: ### 1. Pure Black (K100) * **Value**: C0 M0 Y0 K100 * **Ink**: Only black ink * **Uses**: Body text, small type, thin lines * **Pros**: Crisp, no registration issues, saves ink ### 2. Rich Black (4-Color Black) * **Value**: C40 M30 Y30 K100 (typical recipe) * **Ink**: All four inks * **Uses**: Large black areas, backgrounds, headlines * **Pros**: Deeper, richer black appearance ``` Pure Black (K100): Adequate for text Rich Black (C40 M30 Y30 K100): Luxurious, deep, intense ``` **Rule of Thumb**: Use K100 for text under 24pt. Use rich black for large areas. ## Total Ink Coverage (TAC) **TAC** = Total Area Coverage - the sum of all four CMYK percentages ### Why It Matters * Too much ink = Smearing, drying problems, paper saturation * Most printers limit TAC to **280-320%** ### Example Calculation ``` Color: C80 M70 Y60 K40 TAC = 80 + 70 + 60 + 40 = 250% ✅ Within safe limits (under 300%) Color: C100 M100 Y100 K100 TAC = 100 + 100 + 100 + 100 = 400% ❌ Too much! Will cause problems ``` Printery automatically manages TAC based on your selected ICC profile. You don't need to calculate manually, but understanding helps! ## Color Management Strategies ### Strategy 1: Design CMYK-Friendly **Approach**: Choose colors that exist in both gamuts **How**: * Avoid neon/fluorescent colors * Test colors in CMYK preview * Use CMYK color picker if available **Pros**: Minimal color shift **Cons**: Limits creative palette *** ### Strategy 2: Design Freely, Convert Carefully **Approach**: Design in RGB, carefully manage conversion **How**: * Design with any colors * Use high-quality ICC profiles * Preview before finalizing * Adjust problem colors manually **Pros**: Full creative freedom **Cons**: Requires color management knowledge *** ### Strategy 3: Hybrid (Spot Colors) **Approach**: CMYK for most, spot colors for critical hues **How**: * Use CMYK for photos and most graphics * Add Pantone spot colors for logos and brand colors * Combine in same document **Pros**: Best of both worlds **Cons**: More expensive printing (extra plates) ## Previewing CMYK Conversion How to see how colors will print: ### In Printery Color tab → Convert to CMYK ✓ Choose appropriate profile for your printing Plugin shows color conversion preview If colors shift too much, adjust RGB values or use spot colors ### In Adobe Acrobat After exporting: 1. Open PDF in Acrobat 2. Tools → Print Production → Output Preview 3. Enable CMYK simulation 4. See how colors will actually print ## Common Misconceptions ### Myth 1: "CMYK is always better for print" **Reality**: Design in RGB (Figma's native), convert to CMYK for export. Best of both worlds. *** ### Myth 2: "My screen can show CMYK accurately" **Reality**: Your screen is RGB. It can only *simulate* CMYK. Physical proofs are the only true preview. *** ### Myth 3: "If it looks good in RGB, it'll print fine" **Reality**: Some RGB colors can't be reproduced in CMYK. Always preview conversion. *** ### Myth 4: "CMYK files are smaller" **Reality**: CMYK files are usually *larger* (4 channels vs 3). ## Advanced: GCR vs UCR Two methods for generating black (K) channel: ### GCR (Gray Component Replacement) * Replaces CMY gray with K where possible * Creates lighter, more stable print * **Recommended for most projects** * Less ink usage ### UCR (Under Color Removal) * Only removes CMY under black areas * Darker shadows * More traditional method * Used for specific effects Printery uses **GCR** by default with ICC profiles - the modern standard for professional printing. ## Quick Reference | Factor | RGB | CMYK | | ---------------- | ------------ | -------------------- | | **Model** | Additive | Subtractive | | **Channels** | 3 | 4 | | **Max Values** | 0-255 each | 0-100% each | | **Total Colors** | 16.7 million | \~Thousands (varies) | | **Black** | 0,0,0 | 0,0,0,100 | | **White** | 255,255,255 | 0,0,0,0 | | **Use** | Screen | Print | | **Gamut** | Wider | Narrower | ## Next Steps Master ICC profile selection When to use Pantone colors Pure black vs rich black strategies Fix common color problems *** **Deep dive into color science?** Our [Discord community](https://discord.gg/kUJZQEfdUF) has color experts who love discussing this stuff! # Spot Colors & Pantone Source: https://docs.printery.app/color/spot-colors Master spot colors for brand-accurate printing ## What Are Spot Colors? **Spot colors** (also called **solid colors**) are premixed inks printed as separate plates, rather than created by combining CMYK inks. Think of spot colors like **paint from a can** - the exact color is already mixed, versus CMYK which is like **mixing paints** to approximate a color. ## Spot Colors vs Process Colors (CMYK) | Aspect | Spot Color | CMYK (Process) | | ------------------ | ----------------------- | --------------------- | | **How created** | Premixed ink | Mix of C, M, Y, K | | **Plates needed** | 1 per color | 4 plates (C, M, Y, K) | | **Color accuracy** | Exact match | Approximate | | **Cost** | More expensive | Standard | | **Best for** | Logos, brand colors | Photos, full-color | | **Special colors** | Metallics, fluorescents | No | ### Visual Comparison ``` CMYK Process: C100 + M50 + Y0 + K0 = Blue (approximate) ┌─┬─┬─┬─┐ │C│M│Y│K│ → Layered dots = "Blue" └─┴─┴─┴─┘ Spot Color: Pantone 2925 C = Blue (exact premixed) ┌────────────┐ │ Blue Ink │ → Solid blue = Exact match └────────────┘ ``` ## Pantone Matching System (PMS) **Pantone** is the industry standard for spot colors. ### Pantone Categories **For**: Coated paper (glossy/matte finish) **Characteristics**: * More vibrant * Smoother appearance * Sharper details **Example**: Pantone 185 C (Coca-Cola red on glossy brochure) **For**: Uncoated paper (natural finish) **Characteristics**: * More subdued * Ink absorbs into paper * Softer appearance **Example**: Pantone 185 U (Same red on business letterhead) **Important**: 185 C and 185 U are DIFFERENT colors! Always specify paper type. **Special inks** with metallic particles **Types**: * Silver * Gold * Copper * Bronze **Uses**: Premium packaging, special occasions **Example**: Pantone 871 C (Metallic gold) **Bright, glowing colors** that can't be reproduced in CMYK **Examples**: * Fluorescent pink * Fluorescent orange * Fluorescent yellow **Uses**: Safety materials, attention-grabbing designs ## When to Use Spot Colors ### ✅ Use Spot Colors When: **Example**: Company logo must be exact Pantone color across all materials **Why**: CMYK varies between print runs, Pantone is always consistent **Common users**: Corporate brands, franchises **Example**: Bright orange, vibrant green, neon colors **Why**: CMYK can't reproduce these colors accurately **Result**: Spot color achieves the vibrant look you need **Example**: Letterhead with logo in brand color + black text **Why**: Cheaper than full CMYK (only 2 plates: Black + Pantone) **Benefit**: Cost savings while maintaining brand accuracy **Example**: Gold foil business cards, fluorescent safety posters **Why**: CMYK cannot create metallic shine or fluorescent glow **Only option**: Use spot colors **Example**: Company brochure with full-page brand color background **Why**: Spot color provides more consistent, solid coverage **Better than**: CMYK which can show screening patterns ### ❌ Don't Use Spot Colors When: * Photographs and images (use CMYK) * Gradients with many colors (use CMYK) * Budget is very limited (spot colors cost more) * Color consistency isn't critical * Printing at home or desktop printer (can't handle spot colors) ## How Spot Colors Work in Printing ### Printing Plates **CMYK printing**: 4 plates (Cyan, Magenta, Yellow, Black) **Spot color printing**: 4 plates + 1 per spot color **Example**: ``` Brochure with photos + Pantone logo: - Cyan plate - Magenta plate - Yellow plate - Black plate - Pantone 286 C plate = 5 total plates ``` **Cost implication**: Each additional plate costs money in setup and printing. This is why spot colors are more expensive. ## Setting Up Spot Colors in Printery **Note**: Spot color support requires **Pro subscription** Create your design in Figma using any RGB colors Note which elements should be spot colors (usually logos) Select your frame and launch plugin Navigate to Color tab → Spot Colors section 1. Click "Add Spot Color" 2. Choose from Pantone library 3. Or enter Pantone number (e.g., "185 C") Assign which RGB color in your design becomes this spot color: * Select RGB value from your design * Map it to chosen Pantone * Plugin will convert this color to spot plate Adjust spot color density: 0-100% * 100% = Full strength (most common) * 50% = Half strength (tint) PDF will include separate spot color plate ## Spot Color Density **Density** controls how much ink is applied: | Density | Appearance | Use Case | | -------- | ------------- | ------------------ | | **100%** | Full strength | Logos, solid areas | | **75%** | 3/4 strength | Strong tint | | **50%** | Half strength | Medium tint | | **25%** | Light tint | Subtle effect | | **10%** | Very light | Background wash | ### Example ``` Pantone 185 C (Coca-Cola Red): 100% ████████████ Full red 75% ██████████░░ Strong red 50% ████████░░░░ Medium pink 25% ████░░░░░░░░ Light pink 10% ██░░░░░░░░░░ Very pale pink ``` **Common practice**: Use 100% for logos and important elements. Use tints (lower density) for backgrounds or decorative elements. ## Finding the Right Pantone Color ### Method 1: Brand Guidelines **Best option**: Check your brand guidelines Look for: * "Pantone 286 C" * "PMS 185" * "Pantone Solid Coated 021" ### Method 2: Physical Pantone Book **Most accurate**: View actual printed swatches * Available at print shops * Buy your own: \~\$100-200 * Shows exact ink on paper * Essential for color-critical work ### Method 3: Online Tools **Convenient but approximate**: * Pantone Color Finder (pantone.com) * Color conversion tools * Figma plugins **Screen colors are NOT accurate!** Your monitor cannot show true Pantone colors. Always use a physical swatch book for critical decisions. ### Method 4: Closest CMYK Match If you must approximate: 1. Design in RGB/CMYK 2. Order a proof print 3. Compare to Pantone book 4. Find closest match 5. Specify that Pantone for future ## Common Pantone Colors ### Popular Brand Colors | Brand | Pantone | Description | | ----------------- | ----------------------- | --------------- | | **Coca-Cola** | 485 C | Classic red | | **Tiffany & Co.** | 1837 C | Robin egg blue | | **UPS** | 462 C | Brown | | **FedEx** | Purple C + Orange 021 C | Purple + orange | | **Starbucks** | 3425 C | Green | ### Commonly Requested Colors | Pantone | Color | Use | | ------------------ | -------------- | --------------------- | | **Black C** | Pure black | Text, logos | | **Process Blue C** | Bright blue | Technology, corporate | | **Red 032 C** | True red | Energy, passion | | **Green C** | Grass green | Eco, health | | **Orange 021 C** | Vibrant orange | Creativity, energy | ## Converting CMYK to Pantone **Can you convert?** Sometimes, but not always. ### When It Works Some CMYK colors are close to Pantone: * Pure black (K100) ≈ Pantone Black C * Some reds, blues, greens have close matches ### When It Doesn't Work Many CMYK colors have no Pantone equivalent: * Subtle color blends * Tertiary colors * Most gradients ### Conversion Process Note the CMYK values or HEX code * Pantone.com color tools * Adobe software (Illustrator, Photoshop) * Professional color matching Tool suggests nearest Pantone **Critical**: Compare printed swatch to your needs Choose different Pantone if match isn't close enough ## Overprint with Spot Colors **Overprint** = Ink prints on top of another color (doesn't knock out) ### When to Use Overprint * Black text over spot color background * Spot color over CMYK image * Layering effects ### How to Set Overprint In Printery: 1. Color tab → Overprint section 2. Enable overprint for: * Fill (solid areas) * Stroke (lines) 3. Choose which colors overprint **Be careful**: Overprint affects final color appearance. Test with proof before production! ## Spot Color + CMYK Combination Common approach: **Spot color for logo + CMYK for photos** ### Example: Corporate Brochure ``` Plates: 1. Cyan (CMYK) 2. Magenta (CMYK) 3. Yellow (CMYK) 4. Black (CMYK + text) 5. Pantone 286 C (Company logo blue) Total: 5-color printing ``` **Benefit**: Photos print beautifully in CMYK, logo is exact brand color **Cost**: More than 4-color CMYK, less than multiple spot colors ## Cost Considerations ### Pricing Structure | Setup | Cost Impact | | ---------------------- | ----------------------- | | **CMYK only** | Standard (baseline) | | **CMYK + 1 spot** | +15-30% | | **CMYK + 2 spots** | +30-50% | | **2 spot colors only** | Often cheaper than CMYK | ### When Spot Colors Save Money **Two-color printing** (Black + 1 Pantone): * Letterhead * Business cards * Simple brochures * Cheaper than 4-color CMYK **When to use**: Minimal color needs, brand consistency important ## Troubleshooting Spot Colors **Causes**: * Digital printer only (not offset) * Small local shop without capability **Solutions**: * Find offset printer * Use CMYK approximation * Consider online specialty printers **Causes**: * Wrong Pantone (C vs U) * Paper type mismatch * Printer mixed ink incorrectly **Solutions**: * Verify correct Pantone specification * Match paper type to swatch * Request remake if printer error **Requires**: Pro subscription **If you have Pro**: * Verify color exists in design * Check color isn't in image (must be vector/fill) * Contact support if bug ## Spot Color Checklist Before sending spot color files: * [ ] **Pantone specified correctly**: Including C or U designation * [ ] **Paper type matches**: Coated vs uncoated * [ ] **Printer confirms capability**: Can handle spot colors * [ ] **Density set appropriately**: Usually 100% for logos * [ ] **Overprint configured**: If needed * [ ] **Cost approved**: Additional plates = higher cost * [ ] **Physical swatch verified**: Don't rely on screen * [ ] **PDF checked**: Spot color plate included ## Alternatives to Spot Colors If spot colors are too expensive or unavailable: ### Option 1: CMYK Approximation Use CMYK values that approximate the Pantone: * Close, but not exact * Varies between print runs * Much cheaper ### Option 2: Digital Color Matching Some digital printers offer: * Pantone-matched CMYK profiles * Better than standard CMYK * No extra plates needed ### Option 3: Design Adjustment Modify design to use colors easily reproduced in CMYK: * Avoid ultra-vibrant colors * Use CMYK-friendly palette * Accept slight color variation ## Learn More Understanding color systems Master overprint techniques Achieve perfect color matching Common Pantone values *** **Pro Tip**: For brand-critical work, always use physical Pantone swatches. Screens lie, printed swatches don't! # Advanced Options Source: https://docs.printery.app/features/advanced-options Master advanced features for complex print projects ## Advanced Options Overview Beyond the standard settings, **Printery** offers advanced controls for professional workflows and complex projects. **Pro Features**: Many advanced options require a Pro subscription for full access. ## Accessing Advanced Options Click the frame to export Plugins → Printery Click **"Advanced"** tab Or scroll to "Advanced Options" in other tabs ## Advanced Document Options ### Custom Page Boxes **PDF contains multiple "boxes" defining different boundaries**: **Definition**: Full page size including all marks **Contains**: Everything (design + bleed + marks + margins) **Auto-calculated**: Based on design size + bleed + mark spacing **Manual override** (Pro): ``` Width: [value] inches Height: [value] inches ``` **Rarely needs changing**: Plugin auto-sets correctly **Definition**: Design edge including bleed **Contains**: Design + bleed extension **Size**: Final size + (bleed × 2) **Example**: ``` Final size: 3.5" × 2" Bleed: 0.125" Bleed box: 3.75" × 2.25" ``` **Auto-set**: Based on bleed settings **Definition**: Final cut size **Contains**: Final product dimensions **Size**: Exact final size **Example**: ``` Trim box: 3.5" × 2" (business card) ``` **Critical**: Must match intended final size **Definition**: Meaningful content area **Contains**: Design without margins/marks **Usage**: For downstream processing **Typically**: Same as trim box or crop box ### Multi-Page Settings **Advanced page configuration**: **Control page order**: **Reading order**: * Left-to-right, top-to-bottom (default) * Custom order (specify manually) * Reader spreads (2-up) **Example**: ``` Frames in Figma: A B C D PDF pages: 1 2 3 4 (standard) Or: 2 1 4 3 (custom) ``` **Pro feature**: Custom sequencing **Imposition for printing**: **What it is**: Rearrange pages for folding/binding **Example (8-page booklet)**: ``` Reading order: 1 2 3 4 5 6 7 8 Printer spread: 8,1 2,7 6,3 4,5 ``` **When to use**: * Saddle-stitch booklets * Folded brochures * Self-printing booklets **Caution**: Ask printer if they need this or will impose themselves **Compensate for page shift in binding**: **Problem**: Inner pages in thick booklets shift **Solution**: Adjust inner margins progressively **Example**: ``` Page 1 (outer): No adjustment Page 10 (middle): +0.0625" creep Page 20 (center): +0.125" creep ``` **Pro feature**: Automatic creep calculation **Only for**: Thick saddle-stitch booklets ## Advanced Color Options ### Custom Black Generation **Fine-tune how black is created**: **Gray Component Replacement strength**: **Low (20-40%)**: * More CMY, less K * Richer colors * Higher TAC **Medium (50-70%)** ✓ Recommended: * Balanced * Standard practice * Moderate TAC **High (80-100%)**: * Maximum K, minimal CMY * Lowest TAC * Faster drying * Less vibrant **Setting**: ``` GCR: [50]% (Medium) ``` **When to start adding black ink**: **Early (30-40%)**: * Black added sooner * Lower total CMY * Reduced TAC **Medium (50%)** ✓ Standard: * Balanced approach * Profile default **Late (60-70%)**: * Black only in shadows * More CMY in midtones * Richer appearance **Example**: ``` Start: 50% Gray value < 50% → CMY only Gray value ≥ 50% → CMY + K ``` **Maximum black ink percentage**: **Conservative (80-90%)**: * Safer, more CMY support * Lower risk **Standard (95-100%)** ✓: * Maximum depth * Normal practice **Setting**: ``` Max K: [100]% ``` **Rarely needs changing** **Manually set TAC limit**: **Standard**: 300% (profile default) **Custom scenarios**: * Uncoated: 260% * Newsprint: 240% * Coated high-quality: 320% * Japan Color: 350% **Warning**: Only change if printer specifies **Example**: ``` TAC Limit: [280]% (for uncoated paper) ``` ### Spot Color Advanced Settings **Pro feature - detailed spot color control**: **Control ink strength**: 0-100% **100%**: Full strength (standard) **75%**: 3/4 strength tint **50%**: Half tint **25%**: Light tint **Example**: ``` Pantone 185 C @ 100% = Full red Pantone 185 C @ 50% = Light pink ``` **Use case**: Tints and shades **Per-spot-color overprint control**: **Enable overprint**: * Spot prints over CMYK * Colors mix **Disable overprint** (default): * Spot knocks out background * No mixing **Example**: ``` Pantone logo over CMYK photo: Overprint: ON → Logo visible but may tint Overprint: OFF → Clean knockout ``` **Convert spot to CMYK**: **When to use**: * Budget constraints (no spot colors) * Simulate spot with CMYK * Proofing **How it works**: ``` Pantone 185 C (spot) ↓ C0 M100 Y100 K0 (CMYK approximation) ``` **Warning**: Not exact match! **Better**: Keep as spot if color-critical **Create custom colors by mixing spots**: **Example**: ``` Pantone 185 C (red) + Pantone 2925 C (blue) At overlap = Purple (custom color) ``` **Requirements**: * Both spots overprint * Intentional mixing * Test with proof **Advanced use**: Expanding palette without plates ## Advanced Export Options ### PDF Optimization **Fast web view**: **What it does**: Reorganizes PDF for streaming **Benefit**: Pages load while downloading **When to use**: * Web publishing * Large PDFs online * Client portals **Trade-off**: Slightly larger file size **Setting**: "Optimize for Web" ✓ **Long-term preservation**: **Standard**: ISO 19005 **Requirements**: * All fonts embedded (full, not subset) * All colors defined * No encryption * No external dependencies **When to use**: * Legal documents * Long-term storage * Government requirements **Format**: PDF/A-1b or PDF/A-2b **Accessibility support**: **What it adds**: Structure tags for screen readers **Benefits**: * Screen reader friendly * Better text extraction * Accessibility compliance **When to use**: * Public documents * Accessibility requirements * Government/education **Note**: Increases file size slightly ### Image Resampling **Advanced image optimization**: **Method**: High-quality reduction **Algorithm**: Bicubic interpolation **Quality**: Excellent **Speed**: Moderate **When to use**: Standard (default) **Best for**: Photographic images **Method**: Average pixel values **Algorithm**: Box sampling **Quality**: Good **Speed**: Fast **When to use**: Speed priority **Best for**: Line art, screenshots **Method**: Simple pixel selection **Algorithm**: Nearest neighbor **Quality**: Fair (can be harsh) **Speed**: Fastest **When to use**: Low-quality proofs only **Not recommended** for final print **Method**: Keep original resolution **Result**: Largest file size **When to use**: * Images already optimized * Maximum quality needed * File size not a concern **Trade-off**: Very large PDFs ### Color Space Conversion **Advanced color handling**: **Action**: Keep existing ICC profiles in images **When to use**: * Images have correct profiles * Pre-color-managed workflow * Photography **Result**: Each image uses its own profile **Pro**: Maximum accuracy per image **Con**: Inconsistent color space **Action**: Convert all to selected ICC profile **When to use**: * Consistent color space needed * Standard workflow * Most printing ✅ **Recommended** (default) **Result**: All colors in one profile **Pro**: Consistency **Con**: May shift some pre-managed colors slightly **Action**: Output without profiles (DeviceCMYK) **When to use**: * Printer requests * Legacy workflow * Press-calibrated printing **Result**: Raw CMYK values **Warning**: Less predictable across printers ## Advanced Typography ### Font Handling **When to subset vs embed full font**: **Threshold**: Character count **Example**: ``` < 50% of characters used → Subset ≥ 50% of characters used → Full embed ``` **Custom setting**: ``` Subset threshold: [50]% ``` **Impact**: File size vs editability **Convert text to paths**: **Pros**: * No font embedding needed * Prints identically everywhere * No font licensing issues **Cons**: * Text not editable * Larger file size * Slight rendering differences **When to use**: * Font licensing unclear * Maximum compatibility * Logos/short text **Avoid for**: Body copy (editability lost) **Preserve screen rendering hints**: **What it is**: Font instructions for clarity **Screen rendering**: Important **Print rendering**: Less important **Setting**: Usually leave enabled **Impact**: Minimal ## Advanced Document Security ### PDF Encryption **Pro feature - protect your PDFs**: **Open password**: Required to view PDF **Permissions password**: Required to edit/print **Use cases**: * Client review (viewing) * Prevent unauthorized use * Protect sensitive content **Settings**: ``` User password: [password] Owner password: [password] ``` **Note**: Not for final print files **Restrict PDF actions**: **Options**: * ☐ Allow printing (high quality) * ☐ Allow printing (low quality) * ☐ Allow editing * ☐ Allow copying text * ☐ Allow form filling **Use case**: Share for review but prevent editing **Example**: ``` ✓ View and print ✗ Edit or copy ``` **Security level**: **128-bit RC4**: Standard **128-bit AES**: Better (Acrobat 7+) **256-bit AES**: Strongest (Acrobat 9+) **Recommendation**: 128-bit AES (compatible + secure) ## Advanced Quality Control ### Preflight Checks **Automated validation**: **Checks performed**: * All images ≥ 300 DPI * All colors CMYK (if required) * All fonts embedded * TAC within limits * Bleed present * Page size correct **Result**: Pass/fail report **Action on fail**: Warning before export **Pro feature**: Define your own checks **Examples**: * Minimum stroke width: 0.25pt * No RGB colors allowed * TAC must be ≤ 280% * Spot colors required * Specific paper size **Setup**: Create rule set, save, reuse **Generate detailed report**: **Includes**: * All issues found * Issue locations * Suggested fixes * Pass/fail status **Export**: PDF or text file **Use for**: Client approval, print shop communication ### DPI Override **Force specific elements to different DPI**: **Boost certain elements**: **Example**: * Body: 300 DPI (standard) * Hero image: 600 DPI (ultra-sharp) * Background: 150 DPI (acceptable, smaller file) **Use case**: Optimize file size while keeping quality where needed **Setting**: Per-layer DPI specification **Different DPI per type**: ``` Text: 600 DPI (sharpest) Photos: 300 DPI (standard) Backgrounds: 200 DPI (acceptable) Texture fills: 150 DPI (low priority) ``` **Result**: Balanced quality + file size **Pro feature**: Custom DPI rules ## Advanced Workflow Integration ### Metadata Embedding **Add information to PDF**: **XMP fields**: * Title * Author * Subject * Keywords * Copyright **Example**: ``` Title: "Company Brochure 2025" Author: "Design Studio Inc." Keywords: "brochure, marketing, corporate" ``` **Benefit**: Search, organize, attribution **Your own fields**: * Job number * Client name * Version * Production notes * Internal tracking **Pro feature**: Custom field definition **Example**: ``` Job: #2025-001 Client: Acme Corp Version: Final_v3 ``` **Embedded profile info**: **What it includes**: * ICC profile name * Rendering intent * Output condition **Example**: ``` Profile: ISO Coated v2 300% Intent: Relative Colorimetric Condition: FOGRA39 ``` **Auto-included** in PDF/X files ### Batch Processing **Pro feature - export multiple projects**: **Process multiple frames at once**: **Select**: Multiple frames **Apply**: Same settings to all **Export**: All as separate PDFs **Time saver**: Export 10 business cards → 10 PDFs in one click **Different settings per project type**: **Example**: ``` Business cards → Preset A Flyers → Preset B Brochures → Preset C ``` **Auto-apply**: Based on frame name or tag **Setup**: Define rules in settings **Process in background**: **Add to queue**: Multiple exports **Process**: While you work **Notification**: When complete **Use case**: Large multi-page documents ## Advanced Debugging ### Export Diagnostics **Troubleshooting tools**: **Enable verbose logging**: **Shows**: * Each step of export * Color conversions * Font processing * Image handling * Any warnings/errors **Output**: Log file **Use when**: Export fails or produces unexpected results **Quick verification export**: **Settings**: * Lower DPI (150) * Higher compression * Faster processing **Purpose**: Verify settings before final export **Time**: 3-5 seconds vs 30+ seconds **Use for**: Iterating on settings **See what's being exported**: **Shows per element**: * Original color (RGB) * Converted color (CMYK) * DPI (effective) * Size (print dimensions) * TAC value **Hover**: Over elements to see info **Identify**: Problem elements quickly ## Performance Optimization ### Processing Speed **Multi-threaded export**: **Enable**: Use multiple CPU cores **Result**: 2-4x faster exports **Trade-off**: Higher CPU usage **Recommended**: Enable (default) **Large document handling**: **Settings**: * Cache size: Large/Medium/Small * Tile size: For huge images * Streaming: Process in chunks **When needed**: 100+ page documents, very large images **Impact**: Prevents crashes, slower but stable **Reuse processed images**: **What it does**: Caches conversions **Benefit**: Faster repeat exports **Trade-off**: More disk space **Clear cache**: If issues arise ## Learn More Standard document settings Color management basics Basic export configuration Save and reuse settings *** **Pro Tip**: Start with default settings. Only use advanced options when you have a specific need or printer requirement! # Color Conversion Source: https://docs.printery.app/features/color-conversion Convert RGB to CMYK with precision and control ## Color Conversion Overview **Printery** converts your RGB designs to CMYK for professional printing, using industry-standard ICC profiles for accurate color reproduction. **Why convert?** Screens use RGB (light), printers use CMYK (ink). Conversion ensures your colors print as expected. ## Accessing Color Conversion Click the frame you want to export Plugins → Printery Click **"Color"** tab in the plugin interface Toggle: **"Convert to CMYK"** ✓ ON ## Key Color Settings ### 1. CMYK Conversion Toggle **When ON**: * All RGB colors converted to CMYK * Uses selected ICC profile * PDF contains CMYK values * Ready for professional printing **Result**: ``` RGB (255, 0, 0) → CMYK (0, 100, 100, 0) Screen red → Print red ``` **Use for**: Professional printing **When OFF**: * Colors stay RGB * No conversion performed * PDF contains RGB values * Printer handles conversion (risky!) **Result**: ``` RGB (255, 0, 0) → RGB (255, 0, 0) Unknown CMYK result at printer ``` **Use for**: Digital-only output, screen viewing ### 2. ICC Profile Selection **Most important color decision!** **Region**: Europe, Global **Standard**: ISO 12647-2 **Paper**: Coated (glossy/matte) **Ink Limit**: 300% TAC **When to use**: * European printing * Standard commercial projects * Magazine/brochure production * **Default recommendation** (works 90% of time) **Color characteristics**: * Vibrant colors * Good gamut * Industry standard **Region**: United States **Standard**: SWOP **Paper**: Coated web press **Ink Limit**: 300% TAC **When to use**: * US printing * Magazine/newspaper * Web offset printing **Color characteristics**: * Slightly less vibrant than ISO * Optimized for US standards * Industry standard in USA **Region**: United States **Standard**: GRACoL **Paper**: Coated sheet-fed **Ink Limit**: 300% TAC **When to use**: * US high-end printing * Commercial sheet printing * Premium quality work **Color characteristics**: * Excellent reproduction * Tighter tolerances * Premium quality **Region**: Europe **Paper**: Uncoated offset **Ink Limit**: 260% TAC **When to use**: * Letterhead * Books (uncoated) * Envelopes * Natural paper **Color characteristics**: * More subdued * Lower ink limit * Organic look **Pro Feature**: Upload custom profile **When to use**: * Printer provides specific profile * Specialty substrates * Color-critical work * Custom press setup **How to**: 1. Get .icc file from printer 2. Click "Upload Custom Profile" 3. Select file 4. Appears in dropdown See [ICC Profiles Guide](/color/icc-profiles) ### 3. Rendering Intent **How to handle out-of-gamut colors** (colors that can't be reproduced in CMYK) **Method**: Shifts out-of-gamut colors to nearest CMYK equivalent **Characteristics**: * Maintains in-gamut colors exactly * Clips out-of-gamut to gamut edge * Preserves white point * Most predictable **Best for**: * Logos (color accuracy) * Brand colors * Spot color simulation * **Default choice** (90% of cases) **Example**: ``` Bright RGB blue → Closest CMYK blue (slightly less vibrant) ``` **Method**: Compresses entire color range to fit CMYK gamut **Characteristics**: * Maintains color relationships * All colors shift proportionally * No clipping * Smoother gradients **Best for**: * Photographs * Images with many colors * Gradients * When relationships matter more than accuracy **Example**: ``` All colors shift slightly But relationships preserved ``` **Method**: Maximizes color vividness **Characteristics**: * Ignores accurate color matching * Maximizes saturation * Shifts colors significantly * Vibrant output **Best for**: * Charts and graphs * Presentations * When impact > accuracy * Bold designs **Rarely used** for professional print **Method**: Exact color simulation, including paper white **Characteristics**: * Most accurate possible * Simulates paper color * No white point adaptation * Used for proofing **Best for**: * Color proofing * Simulating one printer on another * Special applications **Almost never used** for normal printing **Recommendation**: Use **Relative Colorimetric** for 95% of projects ### 4. Black Generation Method **How CMYK black is created** **Method**: Replaces CMY gray with K (black ink) **How it works**: ``` Instead of: C50 M50 Y50 K0 (gray from colors) Use: C10 M10 Y10 K70 (gray from black ink) ``` **Characteristics**: * Lower total ink * Faster drying * Better neutrals * Industry standard **Advantages**: * Reduced TAC * Cleaner grays * Better registration (less critical) * Cost savings (less CMY ink) **Best for**: Most modern printing ✅ **Default recommendation** **Method**: Removes CMY only in dark areas (shadows) **How it works**: * Neutral shadows use black * Colors stay rich (more CMY) * Traditional method **Characteristics**: * Richer colors * Higher TAC * More ink used * Older standard **Advantages**: * Slightly richer colors * Some printers prefer **Disadvantages**: * Higher ink coverage * Longer drying * More critical registration **Best for**: Traditional presses, when requested **Method**: Maximum black, minimum CMY **How it works**: * Replaces CMY with K wherever possible * Very low total ink * Aggressive black generation **Characteristics**: * Lowest TAC * Fastest drying * Less vibrant colors **Best for**: * Newspaper printing * Low-quality paper * Fast-turnaround work **Rarely used** for quality printing **Recommendation**: Use **GCR (Medium)** - the default ICC profile setting ### 5. Black Handling **How to treat black elements** **Smart black conversion**: * Text → Pure black (K100) * Small elements → Pure black * Large areas → Rich black **Settings**: * Text \< 18pt: K100 * Lines \< 2pt: K100 * Shapes > 1 inch²: Rich black (C60 M40 Y40 K100) **Result**: Best of both worlds ✅ **Recommended** for most projects **Everything becomes K100**: * Text: K100 * Shapes: K100 * Backgrounds: K100 **Characteristics**: * Safest choice * No registration issues * Lighter black appearance **Best for**: * Text-heavy documents * When registration is concern * Desktop printing **Trade-off**: Less dramatic black **Everything uses rich black**: * Formula: C60 M40 Y40 K100 **Characteristics**: * Deepest black * Maximum impact * Registration-sensitive **⚠️ Warning**: NOT for text! **Best for**: Large solid areas only **Risk**: Text will blur **Pro Feature**: Specify rich black recipe **Options**: * Cyan: 0-100% * Magenta: 0-100% * Yellow: 0-100% * Black: 90-100% **Example recipes**: * Cool: C60 M40 Y40 K100 * Warm: C40 M60 Y60 K100 * Neutral: C30 M30 Y30 K100 **Check**: Total TAC ≤ 300% See [Black Handling Guide](/color/black-handling) ### 6. Spot Colors (Pro) **Add Pantone or special inks** **Toggle**: "Add Spot Colors" ✓ **What it does**: * Converts specific colors to spot plates * Adds Pantone to CMYK * Creates separate ink plate **Use for**: * Brand colors (exact match) * Colors outside CMYK gamut * Metallic/fluorescent inks **Pro feature**: Requires Pro subscription **Process**: 1. Click "Add Spot Color" 2. Choose Pantone from library 3. Or enter Pantone number (e.g., "185 C") 4. Map to RGB color in design **Example**: ``` Design color: RGB (200, 16, 46) Maps to: Pantone 185 C PDF plate: Pantone 185 C (spot) ``` **Density**: 0-100% * 100% = Full strength (standard) * 50% = Half tint * Custom = Special effects **Overprint**: Yes/No * Yes = Prints over CMYK * No = Knocks out background **Type**: * Coated (C) - Glossy paper * Uncoated (U) - Matte paper See [Spot Colors Guide](/color/spot-colors) ## Color Conversion Process ### What Happens Behind the Scenes **Plugin scans your design**: * All fills (shapes, text) * All strokes (borders, lines) * All images (raster graphics) * All effects (shadows, glows) Identifies: RGB, HEX, HSL values **ICC profile loaded**: * Selected profile (e.g., ISO Coated v2) * Contains color space definition * Defines conversion rules Creates: RGB → CMYK lookup table **Each color converted**: * RGB value input * Profile lookup * CMYK value output **Example**: ``` RGB (255, 0, 0) [Red] ↓ (ISO Coated v2 profile) CMYK (0, 100, 100, 0) [Red] ``` **For out-of-gamut colors**: * Rendering intent applies * Relative: Shift to nearest * Perceptual: Compress range * Saturation: Maximize vividness **Result**: All colors within CMYK gamut **For neutral/dark colors**: * GCR or UCR applied * CMY replaced with K where appropriate * TAC reduced **Example**: ``` C50 M50 Y50 K0 (240% TAC) ↓ (GCR applied) C10 M10 Y10 K70 (100% TAC) ``` **Black elements**: * Automatic detection * Text → K100 * Large shapes → Rich black **Spot colors** (if enabled): * Mapped colors → Pantone * Separate plates created **Final output**: * All colors now CMYK * ICC profile embedded * Spot color plates (if used) * Color space: DeviceCMYK ## Gamut Mapping ### Understanding CMYK Gamut **RGB vs CMYK color range**: ``` RGB Gamut (Screen): ┌────────────────────┐ │ Wider range │ │ ┌──────────────┐ │ │ │ CMYK Gamut │ │ Some RGB colors │ │ (Printable) │ │ can't be printed │ └──────────────┘ │ └────────────────────┘ ``` **Problem areas**: * **Bright blues**: RGB brighter than CMYK * **Vivid greens**: RGB more saturated * **Neon colors**: Impossible in CMYK * **Bright oranges/reds**: Slight shift ### Out-of-Gamut Warning **Plugin shows warnings**: **⚠️ 15 colors out of gamut** These RGB colors cannot be accurately reproduced in CMYK: * Bright blue (#00FFFF) - will be duller * Neon green (#00FF00) - will be less vibrant * ... Preview shows closest CMYK match **Options**: 1. **Accept conversion** - Use closest CMYK match 2. **Adjust design** - Use CMYK-friendly colors 3. **Use spot colors** - Add Pantone for critical hues ## TAC (Total Area Coverage) ### TAC Limits by Profile **Plugin enforces TAC limits**: | Profile | TAC Limit | | ------------- | --------- | | ISO Coated v2 | 300% | | FOGRA39 | 300% | | SWOP | 300% | | GRACoL | 300% | | PSO Uncoated | 260% | | Japan Color | 350% | ### TAC Calculation **Formula**: ``` TAC = C% + M% + Y% + K% ``` **Examples**: ``` ✓ C60 + M40 + Y40 + K100 = 240% (OK for 300% limit) ✓ C30 + M30 + Y30 + K100 = 190% (OK) ✗ C100 + M100 + Y100 + K100 = 400% (EXCEEDS 300%) ``` ### Automatic TAC Control **Plugin automatically**: * Calculates TAC for all colors * Reduces if exceeds limit * Applies GCR to lower total * Ensures compliance **What you see**: ``` Before: C80 M80 Y80 K50 (290% TAC) ✓ After GCR: C40 M40 Y40 K90 (210% TAC) ✓ ``` ## Color Accuracy ### Factors Affecting Accuracy | Factor | Impact | Your Control | | ----------------------- | ------ | -------------------------- | | **ICC Profile choice** | High | ✓ Select correct profile | | **Rendering intent** | Medium | ✓ Choose intent | | **Source colors** | High | ✓ Design CMYK-friendly | | **Printer calibration** | High | ✗ Printer's responsibility | | **Paper type** | Medium | ✓ Specify coated/uncoated | | **Monitor calibration** | High | ✓ Calibrate if possible | ### Improving Color Accuracy **Get specifications**: * Preferred ICC profile * TAC limit * Paper type * Special requirements **Why**: Eliminates guesswork **Match printer's spec**: * If US: SWOP or GRACoL * If Europe: ISO Coated v2 * If custom: Upload their profile **Impact**: Biggest accuracy factor **Before full run**: * \$10-50 test print * Actual paper and ink * Verify colors in person **Adjust** if needed, then proceed **Avoid problem colors**: * Neon/fluorescent * Bright RGB blues * Extreme saturation **Use**: CMYK color picker when designing ## Preview Before Converting ### Soft Proofing **See CMYK preview before exporting**: In plugin: "Preview CMYK Conversion" ✓ View: * Left: Original RGB * Right: Converted CMYK Compare colors Look for: * Major color shifts * Loss of vibrance * Unexpected changes * Change design colors * Try different profile * Add spot colors * Accept trade-offs ## Troubleshooting Color Conversion **Cause**: RGB gamut larger than CMYK **Normal**: Some shift expected **Solutions**: * Use CMYK-friendly colors in design * Try Perceptual rendering intent * Add spot colors for critical hues * Order proof to verify **Cause**: Too much total ink **Plugin action**: Automatically reduces **Manual fix**: * Enable GCR * Reduce rich black formula * Check dark colors **Verify**: TAC ≤ profile limit **Cause**: Black handling setting **Solutions**: * Text: Set to Pure Black (K100) * Backgrounds: Set to Rich Black * Check automatic mode enabled **Cause**: Incorrect ICC profile **Fix**: * Ask printer for profile name * Select correct profile * Re-export PDF * Verify with printer ## Color Conversion Checklist Before exporting: * [ ] **CMYK conversion enabled**: Toggle ON * [ ] **ICC profile selected**: ISO Coated v2 or printer-specified * [ ] **Rendering intent**: Relative Colorimetric (usually) * [ ] **Black generation**: GCR enabled * [ ] **Black handling**: Automatic (text=K100, shapes=rich) * [ ] **TAC compliance**: ≤ 300% (or profile limit) * [ ] **Spot colors configured**: If using Pantone * [ ] **Preview checked**: Soft proof reviewed ## Learn More Choose the right profile Deep dive into color models Pure vs rich black Pantone and special inks *** **Pro Tip**: 95% of projects work perfectly with: ISO Coated v2 + Relative Colorimetric + GCR + Automatic black handling! # Document Setup Source: https://docs.printery.app/features/document-setup Configure bleed, crop marks, and document specifications ## Document Setup Overview The **Document Setup** tab is your first stop when preparing files for print. This is where you configure the technical specifications that printers need. **Start here first!** Document setup determines how your design translates to physical print. ## Accessing Document Setup Click the frame (artboard) you want to export **Menu**: Plugins → Printery Or: Search "Printery" in Quick Actions (`Cmd/Ctrl + /`) Plugin opens to "Document" tab by default If not, click **"Document"** in the tab bar ## Key Document Settings ### 1. Bleed **What it does**: Extends your design beyond the trim edge **Toggle**: ON ✓ **Why**: Prevents white edges from cutting imperfections **Most common setting**: 0.125" (3mm) **How it works**: * Plugin extends your design * Or you manually design with bleed area * PDF shows larger page with crop marks **Standard values**: * **US**: 0.125" (1/8 inch) * **Europe/Global**: 3mm * **Large format**: 0.25" (6mm) **Setting**: ``` Bleed: [0.125] inches ``` Or: ``` Bleed: [3] mm ``` **Auto-detect**: Plugin suggests based on document size **Option 1: Extend** * Plugin extends existing design * Stretches edge pixels/colors * Quick and automatic * Best for: Solid backgrounds **Option 2: Manual** * You design with bleed area included * Frame size = Final + bleed * Full control * Best for: Complex designs See [Bleed Guide](/basics/bleed) for details ### 2. Crop Marks **What they are**: Printer's guides showing where to cut **Toggle**: ON ✓ **Why**: Tells printer exactly where to trim **Standard**: Always include for professional printing **Preview**: Shows corner marks in exported PDF **Standard** (Default): ``` ┌──────────────┐ │ │ Simple corner marks │ DESIGN │ Most common │ │ └──────────────┘ ``` **Japanese** (Advanced): ``` ├──────────────┤ Full edge marks │ DESIGN │ Center marks included ├──────────────┤ Common in Asia ``` **Custom** (Pro): * Line length: 0.25" to 0.5" * Line weight: 0.25pt to 1pt * Offset: Distance from design **Black** (Default): * K100 only * Prints on black plate * Standard practice **Registration** (Advanced): * C100 M100 Y100 K100 * Prints on all plates * Helps check alignment * Rarely needed **Recommendation**: Use black (K100) ### 3. Safety Zone **What it is**: Protected area where critical content should stay **Toggle**: ON ✓ **Why**: Visual guide in PDF to check content placement **Shows**: Dashed line marking safe area **Note**: These are guides only, not printed **Standard values**: * **Minimum**: 0.125" (3mm) * **Recommended**: 0.1875" (4.5mm) * **Safe**: 0.25" (6mm) **Formula**: ``` Safety margin = Bleed + 0.125" Example: 0.125" + 0.125" = 0.25" ``` **Setting**: ``` Safety Zone: [0.25] inches ``` **Must be in safety zone**: * All text * Logos * Important images * QR codes * Contact information **OK outside safety zone**: * Background colors/patterns * Decorative elements * Non-critical design elements See [Safety Zone Guide](/basics/safety-zone) ### 4. Registration Marks **What they are**: Targets for aligning printing plates **Toggle**: Usually OFF for simple projects **When needed**: * Multi-color offset printing * Spot color work * Quality control * Printer requests them **What they look like**: ``` ⊕ ``` Target/crosshair symbols in corners **Auto** (Default): * Plugin places at corners * Outside bleed area * Standard positions **Custom** (Pro): * Specify exact placement * Multiple marks * Custom spacing **Include registration marks for**: * Offset printing (lithography) * Multiple spot colors (Pantone) * Large print runs * Quality-critical work **Skip for**: * Digital printing * Single-color prints * Small local printers (often don't need them) **Ask your printer** if unsure! ### 5. Color Bars **What they are**: Reference strips showing ink density **Toggle**: Usually OFF for most projects **When needed**: * Commercial offset printing * Quality control requirements * Printer requests them * Color-critical work **What they show**: ``` [C] [M] [Y] [K] [Gradients] ``` Strips showing pure colors and tints **CMYK Bar**: * Shows all four process colors * Gradients (100%, 75%, 50%, 25%) * Standard for process printing **Spot Color Bar**: * Shows each spot color used * Density reference * For Pantone printing **Custom**: * Specific density values * Client requirements **Include color bars for**: * Commercial offset printing * Print quality verification * Reproduction matching * Printer-requested specs **Not needed for**: * Digital printing * Simple projects * Most business cards/flyers **Ask your printer!** ### 6. Page Information **What it is**: Text showing filename, date, plate info **Toggle**: Optional **What's included**: * Filename * Export date/time * Page number (if multi-page) * Color space * ICC profile used **Placement**: Outside trim area, near crop marks **Standard fields**: * `Filename: BusinessCard.pdf` * `Date: 2025-01-15 14:30` * `Page: 1 of 1` * `Profile: ISO Coated v2` **Customizable** (Pro): * Add custom text * Client name * Job number * Special instructions **Useful for**: * Multi-page documents (tracking pages) * Multiple versions (tracking exports) * Client proofing (showing date) * Print shop organization **Skip for**: * Simple projects * Single page items * Minimalist preference ## Document Size Detection ### Automatic Detection **If your frame is exactly the final size**: Example: Frame is 3.5" × 2" (business card final size) **Plugin action**: * Detects no bleed included * Offers to extend design for bleed * Adds 0.125" (3mm) around edges * Final PDF: 3.75" × 2.25" **If you designed with bleed already**: Example: Frame is 3.75" × 2.25" (business card with bleed) **Plugin action**: * Detects bleed included * Sets crop marks at 0.125" inside * Final PDF: 3.75" × 2.25" * Trim size: 3.5" × 2" **If detection is wrong**: Toggle: "Manual size specification" Enter: * Final width: \[3.5] inches * Final height: \[2] inches * Bleed: \[0.125] inches Plugin adjusts accordingly ### Common Size Presets **Quick select popular sizes**: | Preset | Final Size | With Bleed | | --------------------- | ------------- | --------------- | | **US Business Card** | 3.5" × 2" | 3.75" × 2.25" | | **EU Business Card** | 85mm × 55mm | 91mm × 61mm | | **Postcard** | 6" × 4" | 6.25" × 4.25" | | **Flyer (US Letter)** | 8.5" × 11" | 8.75" × 11.25" | | **A4** | 210mm × 297mm | 216mm × 303mm | | **Poster 18×24** | 18" × 24" | 18.25" × 24.25" | Click preset → Auto-fills dimensions ## Units of Measurement ### Supported Units **Common in**: United States, Canada **Standard sizes**: * Business card: 3.5" × 2" * Letter: 8.5" × 11" * Tabloid: 11" × 17" **Bleed**: 0.125" (1/8 inch) **Precision**: 0.001" **Common in**: Europe, Asia, Global **Standard sizes**: * Business card: 85mm × 55mm * A4: 210mm × 297mm * A3: 297mm × 420mm **Bleed**: 3mm **Precision**: 0.1mm **Common in**: Professional publishing **Conversion**: * 1 inch = 72 points * 1 mm = 2.835 points **Use case**: Fine typography, precise layouts **Precision**: 0.01pt **Common in**: Traditional publishing **Conversion**: * 1 pica = 12 points * 1 inch = 6 picas **Use case**: Column widths, grids **Precision**: 0.01pc ### Unit Conversion **Plugin handles automatically**: * Enter in any unit * Converts internally * Exports in selected unit **Example**: ``` Input: 85mm Display: 3.346 inches PDF: 85mm (if mm selected for export) ``` ## Multi-Page Documents ### Page Setup for Booklets **Method**: Each page separate **Settings**: * Bleed: 3mm all sides * Crop marks: Each page * Independent pages **Best for**: Flyers, posters, single sheets **Method**: Two pages side-by-side **Settings**: * Bleed: 3mm outer edges only * Crop marks: Around spread * Center gutter (no bleed in middle) **Best for**: Booklets, magazines, catalogs **Method**: Multiple pages per sheet **Settings**: * Custom layout * Multiple up (2-up, 4-up, etc.) * Specific printer requirements **Best for**: Business cards (multiple per sheet), gang printing See [Multi-Page Guide](/basics/multi-page) ### Gutter Margins **For bound documents**: **Inside margin** (binding edge): * Minimum: 0.5" (12mm) * Recommended: 0.75" (18mm) * Comfortable: 1" (25mm) **Why larger**: Allows for binding without covering content **Setting**: ``` Inside margin: [0.75] inches ``` Plugin adjusts safety zone accordingly ## Orientation ### Portrait vs Landscape **Height > Width** **Examples**: * Business cards (usually) * Brochures * Books * Letterhead **Setting**: Auto-detected from frame **Manual**: Select "Portrait" if needed **Width > Height** **Examples**: * Postcards (often) * Certificates * Banners * Some brochures **Setting**: Auto-detected from frame **Manual**: Select "Landscape" if needed **Width = Height** **Examples**: * Album covers * Square business cards * Social media prints * Some invitations **No orientation** - works either way ## Advanced Document Options ### Trim Box vs Bleed Box **PDF contains multiple "boxes"**: ``` ┌─────────────────────────────┐ │ Media Box (full page) │ │ ┌───────────────────────┐ │ │ │ Bleed Box (with bleed)│ │ │ │ ┌─────────────────┐ │ │ │ │ │ Trim Box (final)│ │ │ │ │ │ │ │ │ │ │ │ DESIGN │ │ │ │ │ │ │ │ │ │ │ └─────────────────┘ │ │ │ └───────────────────────┘ │ └─────────────────────────────┘ ``` **Why it matters**: * Printer software uses these boxes * Defines cutting area * Automatically set by plugin **Pro setting**: Manual box specification ### Output Intent **What it is**: Embedded profile information **Purpose**: Tells printer expected color space **Setting**: ``` Output Intent: ISO Coated v2 (ECI) ``` **Benefit**: * Color accuracy * PDF/X compliance * Professional standard **Automatically set** based on ICC profile choice ## Document Setup Checklist Before exporting: * [ ] **Bleed enabled**: 0.125" (3mm) for most projects * [ ] **Crop marks enabled**: Printer knows where to cut * [ ] **Safety zone set**: 0.25" (6mm) minimum * [ ] **Document size correct**: Verify final dimensions * [ ] **Units correct**: Inches or millimeters as preferred * [ ] **Orientation correct**: Portrait/landscape matches intent * [ ] **Registration marks**: Only if printer requests * [ ] **Multi-page setup**: Correct page order if applicable ## Troubleshooting Document Setup **Problem**: Crop marks overlap content **Cause**: Insufficient offset **Solution**: * Increase crop mark offset * Standard: 0.125" (3mm) from bleed edge * Adjust in Document settings → Crop Marks → Offset **Problem**: Plugin thinks size is different **Cause**: Frame size ambiguous **Solution**: * Enable "Manual size specification" * Enter exact final dimensions * Specify bleed amount * Plugin will recalculate **Problem**: Some edges don't extend **Cause**: Content doesn't reach edge **Solution**: * Option 1: Extend design to frame edges * Option 2: Use "Extend" bleed method * Option 3: Manually design with bleed area **Problem**: Crop marks + registration + color bars = cluttered **Cause**: All options enabled **Solution**: * Only enable what printer needs * Standard: Just crop marks + bleed * Ask printer which marks required ## Best Practices ### Standard Setup (90% of projects) **Recommended settings**: ``` ✓ Bleed: 0.125" (3mm) ✓ Crop Marks: Enabled (Black, Standard style) ✓ Safety Zone: 0.25" (6mm) ✗ Registration Marks: Off (unless requested) ✗ Color Bars: Off (unless requested) ✗ Page Info: Off (optional) ``` **This works for**: * Business cards * Flyers * Brochures * Posters * Most print projects ### Premium Setup (High-end printing) **Enhanced settings**: ``` ✓ Bleed: 0.125" (3mm) ✓ Crop Marks: Enabled (Black, Standard) ✓ Registration Marks: Enabled ✓ Color Bars: Enabled (CMYK) ✓ Page Info: Enabled ✓ Safety Zone: 0.25" (6mm) ``` **Use for**: * Large print runs * Commercial offset printing * Color-critical work * Corporate annual reports ### Minimal Setup (Digital/desktop printing) **Simplified settings**: ``` ✓ Bleed: 0" (no bleed) ✗ Crop Marks: Off ✗ Safety Zone: 0.125" (minimum) ✗ Registration Marks: Off ✗ Color Bars: Off ``` **Use for**: * Desktop/home printing * Cut-to-size projects * Digital-only output ## Learn More Deep dive into bleed setup Understanding printer's marks Protecting your content Booklets and catalogs *** **Pro Tip**: Save your settings as a preset (Pro feature) to reuse on similar projects. No need to reconfigure each time! # Export Settings Source: https://docs.printery.app/features/export-settings Configure DPI, compression, and PDF format options ## Export Settings Overview The **Export Settings** tab controls how your design is converted to PDF, including resolution, file size, and PDF format compliance. **Critical for quality**: Export settings determine if your PDF will be accepted by professional printers. ## Accessing Export Settings Click the frame you want to export Plugins → Printery Click **"Export"** tab in plugin interface ## Key Export Settings ### 1. DPI (Resolution) **Dots Per Inch** - Image quality setting **Resolution**: 300 pixels per inch **Quality**: Professional print quality **File size**: Medium **When to use**: * **All professional printing** * Business cards * Brochures * Magazines * Books * Marketing materials ✅ **Industry standard** - Use this! **Why 300?**: * Human eye threshold (\~250-300 DPI) * Sharp text and images * Accepted by all printers **Resolution**: 150 pixels per inch **Quality**: Acceptable for proofing only **File size**: Small **When to use**: * Internal proofs * Quick reviews * Desktop printing * Email previews ⚠️ **NOT for final printing**: * Text may appear slightly soft * Images less sharp * Some printers reject **Resolution**: 600 pixels per inch **Quality**: Ultra high-resolution **File size**: Very large **When to use**: * Fine art prints * Large format (viewed close-up) * Photography portfolios * Museum quality **Trade-off**: Huge file sizes, longer processing **Usually unnecessary**: 300 DPI sufficient for most work **Enter specific value**: 72-1200 DPI **Common custom values**: * 72 DPI: Screen-only * 150 DPI: Draft/proof * 200 DPI: Newspaper * 300 DPI: **Standard** * 600 DPI: High-end * 1200 DPI: Specialized (engraving, etc.) **Ask your printer** if specific DPI required ### Effective DPI vs Output DPI **Important distinction**: **Output DPI** (what you set): 300 DPI * How dense pixels are rendered **Effective DPI** (actual image quality): * Depends on source image resolution * Can be lower if image is small **Example**: ``` Source image: 600px × 600px Printed size: 2" × 2" Effective DPI: 600 ÷ 2 = 300 DPI ✓ Source image: 300px × 300px Printed size: 2" × 2" Effective DPI: 300 ÷ 2 = 150 DPI ✗ Too low! ``` **Use DPI Checker** (in plugin) to verify all images ≥ 300 DPI See [DPI Guide](/basics/dpi-resolution) ### 2. Compression **Balance between quality and file size** **Compression**: 0% **Quality**: Perfect, lossless **File size**: Largest **When to use**: * Color-critical work * Fine art * Photography portfolios * Maximum quality needed **Trade-offs**: * Very large files (10-50+ MB) * Slow email/transfer * Longer processing **Best for**: When quality is paramount **Compression**: 5% reduction **Quality**: Near-perfect, visually lossless **File size**: Slightly smaller **When to use**: * High-quality work * Premium printing * Large images **Trade-offs**: * Still large files * Minimal savings **Sweet spot**: Quality + some size reduction **Compression**: 15% reduction **Quality**: Excellent, imperceptible loss **File size**: Moderate **When to use**: * **Most professional printing** * Business cards * Brochures * Standard materials ✅ **Recommended default** **Why 85%?**: * Excellent quality * Reasonable file size * Fast upload/email * Accepted by printers **Compression**: 25% reduction **Quality**: Good, slight visible loss on close inspection **File size**: Small **When to use**: * Large multi-page documents * Email-friendly files * Draft versions **Trade-offs**: * Slight quality loss * May show artifacts in gradients **Acceptable for**: Most uses, but not ideal **Compression**: 40% reduction **Quality**: Fair, visible artifacts **File size**: Very small **When to use**: * Quick proofs only * Email previews * Internal reviews ⚠️ **NOT for final printing**: * Visible compression artifacts * Banding in gradients * Soft images **Recommendation**: Use **85% (Standard)** for balance of quality and size ### 3. PDF Format **PDF standard compliance** **Format**: Regular PDF **Compatibility**: Universal **Features**: All PDF features available **When to use**: * Digital distribution * Screen viewing * Desktop printing * When printer doesn't specify **Pros**: * Widely compatible * Flexible * Supports all features **Cons**: * May not be optimized for print * No guaranteed print compliance **Format**: Print-optimized PDF **Standard**: ISO 15930-1:2001 **Requirements**: * All colors CMYK (no RGB) * All fonts embedded * No transparency * No layers **When to use**: * **Professional offset printing** * Commercial print shops * When printer requests PDF/X ✅ **Most common print standard** **Pros**: * Guaranteed print-ready * Printers accept without question * Predictable output **Cons**: * Stricter requirements * No transparency (flattened) **Format**: Advanced print PDF **Standard**: ISO 15930-3:2002 **Requirements**: * CMYK or RGB with profile * All fonts embedded * Allows transparency * Color-managed **When to use**: * Modern print workflows * When RGB images needed * Advanced color management **Pros**: * More flexible than X-1a * Supports transparency * Better color management **Cons**: * Less universal * Some printers don't accept **Format**: Latest print PDF **Standard**: ISO 15930-4:2003 **Requirements**: * CMYK, RGB, or Lab * Transparency support * Layers support * Advanced features **When to use**: * Cutting-edge workflows * Digital print * Advanced designers **Pros**: * Most flexible * Modern features * Best quality **Cons**: * Not universally supported * Some printers can't handle **Recommendation**: * **PDF/X-1a** for offset printing (most reliable) * **PDF/X-3** for modern digital printing * **PDF (Standard)** when unsure ### 4. Font Embedding **Ensures text displays correctly** **Action**: Includes font data in PDF **Result**: Text appears exactly as designed **File size**: Slightly larger (+100-500KB) **When to use**: * **Always for professional printing** * Ensures consistency * Prevents substitution ✅ **Always enable** **Why important**: * Printer may not have your fonts * Substitution ruins layout * Professional standard **Action**: Includes only used characters **Result**: Smaller file size **File size**: Minimal increase **When to use**: * **Default setting** * Balances quality and size * Professional standard **How it works**: ``` Font file: Full alphabet (26 letters) = 200KB Your text: "Hello" (5 letters) Subset: Only H, e, l, o = 40KB ``` ✅ **Recommended** **Action**: No font data included **Result**: Uses printer's fonts or substitutes **File size**: Smallest ⚠️ **Never use for professional printing** **Problems**: * Font substitution * Wrong typeface * Broken layout * Unprofessional result **Recommendation**: Always **Embed fonts (subset)** ### 5. Image Handling **How raster images are processed** **Action**: Includes full image data in PDF **Result**: Self-contained PDF **When to use**: * **Standard for print** * Sending to printer * Archiving **Pros**: * Single file * Complete package * No missing links **File size**: Larger (all image data included) **Action**: Reduces image resolution to match DPI **Result**: Smaller file, adequate quality **When to use**: * Large high-res images * File size critical * Images exceed needed DPI **How it works**: ``` Source image: 3000 × 3000 px Print size: 2" × 2" Required: 600 × 600 px (at 300 DPI) Downsampled: 600 × 600 px Size savings: 80% ``` **Recommendation**: Enable for efficiency **Action**: Compress images intelligently **Result**: Best quality/size balance **When to use**: * **Default setting** * Balances quality and file size **Process**: * Removes unnecessary metadata * Applies appropriate compression * Maintains visual quality ✅ **Enable for best results** ### 6. Transparency Handling **How transparent elements are processed** **Action**: Converts transparency to opaque layers **Result**: No transparency in PDF **When to use**: * **PDF/X-1a required** (mandatory) * Older print workflows * Maximum compatibility **Process**: ``` Semi-transparent blue circle over red square ↓ (Flattening) Purple circle (mixed) over red square ``` **Pros**: * Universal compatibility * Predictable output * No transparency errors **Cons**: * Can't edit transparency later * May create small artifacts **Action**: Keeps transparency data **Result**: Live transparency in PDF **When to use**: * PDF/X-3 or PDF/X-4 * Modern digital printing * Editable PDFs **Pros**: * Maintains editability * Cleaner output * No flattening artifacts **Cons**: * Not compatible with PDF/X-1a * Some printers can't handle **Check with printer** before using ### 7. Overprint Settings **How overlapping colors print** **Action**: Black elements overprint automatically **Result**: Prevents registration gaps **When to use**: * **Enable for all professional printing** **What it does**: * Black text: Overprints ✓ * Black lines: Overprint ✓ * Other colors: Knockout (default) ✅ **Industry standard** See [Overprint Guide](/color/overprint) **Pro Feature**: Specify overprint per element **When to use**: * Custom overprint needs * Spot color blending * Advanced workflows **Control**: * Per color * Per element type * Custom rules ## Export Workflow ### Recommended Export Process **Document Tab**: * Bleed: 0.125" ✓ * Crop marks: Enabled ✓ * Safety zone: 0.25" ✓ **Color Tab**: * Convert to CMYK: ✓ * ICC Profile: ISO Coated v2 ✓ * Black handling: Automatic ✓ **Export Tab**: * DPI: 300 ✓ * Compression: 85% ✓ * Format: PDF/X-1a ✓ * Embed fonts: Yes ✓ * Flatten transparency: Yes ✓ * Auto black overprint: Yes ✓ **DPI Checker Tab**: * Verify all images ≥ 300 DPI * Replace low-res images if needed Click **"Export PDF"** button Choose save location Wait for processing (a few seconds) Open in PDF viewer Check: * Crop marks visible * Text sharp * Images clear * Colors look correct ## File Size Optimization ### Reducing File Size **If PDF is too large**: **Change**: 85% → 75% **Savings**: 20-40% smaller **Quality impact**: Slight, usually acceptable **When**: File > 10MB and email/upload needed **Action**: Reduce image resolution to needed DPI **Savings**: 30-60% smaller **Quality impact**: None if images are oversized **Example**: ``` Image at 600 DPI → Downsample to 300 DPI File size: 50% smaller Quality: Identical (300 DPI sufficient) ``` **Process**: * Resize images to actual print dimensions * Remove unnecessary pixels * Compress before adding to Figma **Tools**: Photoshop, TinyPNG, ImageOptim **Result**: Much smaller source = smaller PDF **Check design for**: * Hidden layers * Off-canvas elements * Duplicate images * Unnecessary effects **Clean up** before exporting ### File Size Guidelines | Project Type | Target Size | Maximum | | ------------------------- | ----------- | ------- | | **Business Card** | \< 2MB | 5MB | | **Flyer (single page)** | \< 5MB | 10MB | | **Brochure (multi-page)** | \< 10MB | 25MB | | **Booklet (10+ pages)** | \< 20MB | 50MB | | **Catalog (50+ pages)** | \< 50MB | 100MB | **If exceeding maximums**: Optimize using above methods ## Multi-Page Export ### Exporting Multiple Pages **Action**: Select multiple frames **Result**: One PDF with multiple pages **Page order**: Top-to-bottom, left-to-right in Figma **Use for**: * Brochures * Booklets * Catalogs * Multi-page documents **Action**: Export frames individually **Result**: Separate PDF files **Use for**: * Different projects * Different specifications * Individual deliverables **Action**: Two pages side-by-side **Result**: Spread PDF (facing pages) **Use for**: * Magazine layouts * Book spreads * Brochure previews See [Multi-Page Guide](/basics/multi-page) ## Output Filename ### Naming Your PDF **Good naming conventions**: ``` ✓ BusinessCard_Front_FINAL.pdf ✓ Brochure_8Pages_CMYK_300dpi.pdf ✓ Poster_18x24_ISOCoatedv2.pdf ✓ Flyer_v3_2025-01-15.pdf ``` **Include**: * Project name * Version (if multiple) * Date (YYYY-MM-DD) * Specs (optional but helpful) **Avoid**: ``` ✗ untitled.pdf ✗ design.pdf ✗ final final FINAL v2 (1).pdf ``` ## Export Presets (Pro) ### Saving Export Settings **Pro Feature**: Save commonly-used configurations Set Document, Color, and Export tabs as desired Click "Save Preset" Name it: "Business Cards - CMYK 300DPI" For future projects: * Select frame * Choose preset from dropdown * All settings applied instantly **Popular presets**: * "Standard CMYK Print" (300 DPI, PDF/X-1a, ISO Coated v2) * "US Offset Printing" (300 DPI, PDF/X-1a, SWOP) * "High-Res Photography" (600 DPI, no compression, PDF/X-3) * "Quick Proof" (150 DPI, 75% compression, standard PDF) ## Troubleshooting Export **Solutions**: * Increase compression (85% → 75%) * Enable image downsampling * Optimize source images * Remove hidden/unused elements See "File Size Optimization" above **Causes**: * Very large file * Complex design * Memory limit **Solutions**: * Close other Figma files * Restart Figma * Simplify design (fewer effects) * Export in smaller batches **Causes**: * DPI too low * Too much compression * Fonts not embedded **Solutions**: * Set DPI to 300 * Reduce compression (75% → 85%) * Enable font embedding **Causes**: * Wrong ICC profile * CMYK conversion * Uncalibrated monitor **Solutions**: * Verify correct ICC profile * Order physical proof * Remember: screen ≠ print **Common reasons**: * Wrong PDF format * RGB instead of CMYK * Fonts not embedded * No bleed **Solutions**: * Use PDF/X-1a format * Enable CMYK conversion * Embed all fonts * Add 0.125" bleed * Ask printer for specifications ## Export Checklist Before final export: * [ ] **DPI set to 300**: Professional quality * [ ] **Compression at 85%**: Quality + size balance * [ ] **PDF/X-1a format**: Print-ready standard * [ ] **Fonts embedded**: Subset embedding on * [ ] **Transparency flattened**: If using PDF/X-1a * [ ] **Black overprint enabled**: Automatic setting on * [ ] **Images optimized**: Downsampling enabled * [ ] **DPI check passed**: All images ≥ 300 DPI * [ ] **File size reasonable**: Within target range * [ ] **PDF verified**: Opened and inspected ## Learn More Understanding print resolution RGB to CMYK settings Bleed and crop marks Optimize large PDFs *** **Pro Tip**: Save your settings as a preset! Consistent export settings = consistent quality across all projects. # Presets Source: https://docs.printery.app/features/presets Save and reuse export settings for faster workflows ## Presets Overview **Presets** save your complete configuration (document, color, and export settings) for instant reuse on future projects. **Pro Feature**: Presets require a Pro subscription to create and save. Free users can use built-in presets only. ## Why Use Presets? **Without presets**: * Configure 15+ settings every time * 5-10 minutes per export * Risk of forgetting a setting **With presets**: * Select preset from dropdown * 5 seconds * Consistent every time **Time saved**: 95% **Problem**: Different settings across projects **Solution**: Preset ensures identical configuration **Example**: ``` All business cards: - Same bleed (0.125") - Same ICC profile (ISO Coated v2) - Same DPI (300) - Same compression (85%) ``` **Result**: Consistent quality **Scenario**: Printer provides specifications **Solution**: Create preset matching their requirements **Use case**: ``` "Acme Printing - Offset" - ICC: Custom Acme ICC - TAC: 280% - PDF/X-1a - Specific crop mark style ``` **Benefit**: Always print-ready for that printer **Different projects need different settings**: **Solution**: Preset per project type **Examples**: * "Business Cards - Standard" * "Large Format Posters" * "Booklet - Saddle Stitch" * "Quick Proofs - Low Res" **Switch**: One click ## Built-In Presets (All Users) ### Standard Presets Included **Configuration**: ``` Document: - Bleed: 0.125" (3mm) - Crop marks: Yes - Safety zone: 0.25" Color: - CMYK: Yes - Profile: ISO Coated v2 300% - Rendering: Relative Colorimetric - Black: Automatic Export: - DPI: 300 - Compression: 85% - Format: PDF/X-1a - Fonts: Embedded (subset) ``` **Use for**: 90% of professional printing ✅ **Most recommended** **Configuration**: ``` Document: - Bleed: 0.125" - Crop marks: Yes - Registration marks: Yes Color: - CMYK: Yes - Profile: US Web Coated (SWOP) v2 - Rendering: Relative Colorimetric - Black: Automatic Export: - DPI: 300 - Compression: 85% - Format: PDF/X-1a ``` **Use for**: US-based commercial printing **Configuration**: ``` Document: - Bleed: 0.25" (6mm) - Crop marks: Yes Color: - CMYK: Yes - Profile: GRACoL 2006 - Rendering: Perceptual - GCR: Low (rich colors) Export: - DPI: 600 - Compression: 95% (minimal) - Format: PDF/X-3 ``` **Use for**: Photo books, art prints, portfolios **Configuration**: ``` Document: - Bleed: 0.125" - Crop marks: Yes Color: - CMYK: Yes - Profile: PSO Uncoated ISO 12647 - Rendering: Relative Colorimetric - Black: Automatic - TAC: 260% Export: - DPI: 300 - Compression: 85% - Format: PDF/X-1a ``` **Use for**: Letterhead, books, natural stock **Configuration**: ``` Document: - Bleed: 0" (no bleed) - Crop marks: No Color: - CMYK: Yes - Profile: ISO Coated v2 Export: - DPI: 150 - Compression: 75% - Format: PDF (standard) ``` **Use for**: Client review, email proofs, internal checks **Not for**: Final printing **Configuration**: ``` Document: - Bleed: 0" - Crop marks: No Color: - CMYK: No (stay RGB) - sRGB color space Export: - DPI: 72-150 - Compression: 85% - Format: PDF (standard) ``` **Use for**: Screen-only, web, presentations **Not for**: Print ## Creating Custom Presets (Pro) ### How to Create a Preset **Document Tab**: * Set bleed amount * Configure crop marks * Set safety zone * Enable registration marks (if needed) **Color Tab**: * Enable CMYK conversion * Select ICC profile * Set rendering intent * Configure black handling * Add spot colors (if needed) **Export Tab**: * Set DPI (300) * Set compression (85%) * Choose PDF format * Configure fonts * Set image handling Click **"Save as Preset"** button (bottom of plugin) Or: Advanced tab → Presets → "Create New" **Good naming conventions**: ``` ✓ "Business Cards - Standard CMYK" ✓ "Acme Printing - Brochures" ✓ "High-Res Photography - Coated" ✓ "Quick Proofs - Client Review" ``` **Include**: * Project type * Key specifications * Purpose/printer **Avoid**: ``` ✗ "Preset 1" ✗ "Test" ✗ "asdfgh" ``` **Describe when to use**: ``` "For all business card projects. Uses ISO Coated v2, 300 DPI, 0.125" bleed. Ready for commercial offset printing." ``` **Helpful for**: Teams, future reference ☐ "Make this my default preset" **If checked**: Auto-loads when opening plugin **Use for**: Your most common project type Click **"Save Preset"** **Result**: Appears in preset dropdown **Synced**: Across all your Figma files (cloud-saved) ## Using Presets ### Loading a Preset Click the frame to export Plugins → Printery **Dropdown**: Top of plugin interface **Options**: * Built-in presets * Your custom presets (Pro) * Team presets (if applicable) Click preset name **All tabs updated instantly**: * Document settings ✓ * Color settings ✓ * Export settings ✓ * Advanced options ✓ **Verify**: Check settings match intent **Preset is a starting point** **Can adjust**: * Any individual setting * One-time changes won't affect saved preset **Example**: ``` Load "Standard CMYK Print" Adjust: DPI 300 → 600 (for this project only) Export Next time: Loads with 300 DPI again ``` Settings configured → Click "Export PDF" ## Managing Presets (Pro) ### Preset Management **Process**: 1. Load preset 2. Modify settings as desired 3. Click "Update Preset" 4. Confirm update **Result**: Preset updated for all future uses **Use when**: Requirements change **Process**: 1. Load preset 2. Click "Duplicate" 3. Make modifications 4. Save as new preset with new name **Result**: Two presets, original unchanged **Use when**: Similar but not identical needs **Example**: ``` "Business Cards - Standard" → Duplicate → "Business Cards - Uncoated" (change ICC profile) ``` **Process**: 1. Select preset 2. Click "Delete" 3. Confirm deletion **Result**: Removed from list **Cannot delete**: Built-in presets **Warning**: Permanent action! **Pro feature**: Folders/categories **Structure**: ``` 📁 Business Cards - Standard CMYK - Uncoated Stock - Premium Coated 📁 Brochures - 8-Page Saddle Stitch - 16-Page Perfect Bound 📁 Printers - Acme Printing - Local Print Shop ``` **Benefit**: Easy to find **Share presets with team**: **Export**: 1. Select preset(s) 2. Click "Export" 3. Save .preset file **Import**: 1. Click "Import Preset" 2. Select .preset file 3. Preset added to your list **Use for**: Team consistency, backup ## Preset Best Practices ### Naming Conventions **Clear, descriptive names**: ``` ✓ "Business Card - Standard" ✓ "Flyer - Letter Size" ✓ "Brochure - Tri-Fold" ✓ "Poster - 18×24" ✓ "Booklet - Saddle Stitch" ``` **Format**: `[Type] - [Details]` ``` ✓ "Acme Printing - Offset" ✓ "Local Shop - Digital" ✓ "Online Printer A" ✓ "In-House - Desktop" ``` **Format**: `[Printer] - [Method]` ``` ✓ "Final Print - High Quality" ✓ "Client Proof - Medium" ✓ "Internal Review - Low" ✓ "Archive - Maximum Quality" ``` **Format**: `[Purpose] - [Quality]` ``` ✓ "CMYK-300DPI-ISOCoated" ✓ "RGB-72DPI-Screen" ✓ "CMYK-600DPI-Photography" ``` **Format**: `[Color]-[DPI]-[Profile]` **Best for**: Technical users ### Preset Organization **Recommended structure**: ``` 📦 Your Presets ├─ 📁 Everyday Use │ ├─ ⭐ Standard CMYK Print (default) │ ├─ Business Cards │ ├─ Flyers - Letter │ └─ Quick Proof │ ├─ 📁 By Printer │ ├─ Acme Printing - Offset │ ├─ Acme Printing - Digital │ └─ Local Print Shop │ ├─ 📁 Special Projects │ ├─ Photography Portfolio │ ├─ Large Format │ └─ Packaging │ └─ 📁 Archive/Backup ├─ Old Client X └─ Legacy Settings ``` ## Common Preset Examples ### Business Card Preset ```yaml theme={null} Name: "Business Card - Professional" Document: Size: 3.5" × 2" (US Standard) Bleed: 0.125" Crop Marks: Yes Safety Zone: 0.25" Registration Marks: No Color: Convert to CMYK: Yes ICC Profile: ISO Coated v2 300% Rendering Intent: Relative Colorimetric GCR: Medium Black Handling: Automatic Text: K100 Shapes: C60 M40 Y40 K100 Export: DPI: 300 Compression: 85% Format: PDF/X-1a Embed Fonts: Yes (subset) Flatten Transparency: Yes Overprint Black: Yes ``` ### Brochure Preset ```yaml theme={null} Name: "Brochure - 8 Page Saddle Stitch" Document: Multi-Page: Yes Pages: 8 Binding: Saddle Stitch Bleed: 0.125" Inside Margin: 0.75" (for gutter) Crop Marks: Yes Page Numbers: Auto Color: Convert to CMYK: Yes ICC Profile: ISO Coated v2 300% Rendering Intent: Perceptual (for photos) Black Handling: Automatic Export: DPI: 300 Compression: 85% Format: PDF/X-1a Multi-Page: Single PDF Page Order: Sequential ``` ### Quick Proof Preset ```yaml theme={null} Name: "Quick Proof - Client Review" Document: Bleed: 0" (no bleed for proof) Crop Marks: No Watermark: "PROOF - NOT FOR PRINT" Color: Convert to CMYK: Yes ICC Profile: ISO Coated v2 300% Rendering Intent: Relative Colorimetric Export: DPI: 150 Compression: 75% Format: PDF (standard, not PDF/X) Optimize for Web: Yes Small File Size Priority: Yes ``` ## Team Presets (Pro) ### Sharing with Team **For agencies and teams**: **Pro feature**: Shared preset library **How it works**: 1. Admin creates presets 2. Synced to all team members 3. Updates propagate automatically **Benefit**: Entire team uses same settings **Use case**: Agency with 10 designers **Control who can edit**: **Roles**: * Admin: Create, edit, delete all * Editor: Create own, edit own * Viewer: Use only, can't modify **Prevent**: Accidental changes to team standards **Starter presets for new team members**: **Auto-load**: * New user joins * Standard presets added automatically * Ready to work **Onboarding**: Faster, consistent from day one ## Troubleshooting Presets **Causes**: * Cloud sync issue * Corrupted preset * Plugin version mismatch **Solutions**: * Refresh Figma * Re-save preset * Update plugin * Re-import preset from backup **Cause**: Preset from older plugin version **Solution**: * Load preset * Verify all settings * Re-save preset (updates to new format) **Cause**: Free account **Solution**: * Upgrade to Pro subscription * Or use built-in presets only **Free users**: Can use, but can't create/edit **Causes**: * Accidentally deleted * Cloud sync issue * Account change **Solutions**: * Check if logged into correct account * Import from backup (.preset file) * Recreate preset (if no backup) ## Preset Checklist When creating a new preset: * [ ] **All settings configured**: Document, Color, Export tabs * [ ] **Descriptive name**: Clear what preset is for * [ ] **Description added**: When/why to use it * [ ] **Tested once**: Export a test PDF to verify * [ ] **Backed up**: Exported .preset file saved * [ ] **Documented**: Notes on specific requirements * [ ] **Shared with team**: If applicable ## Learn More Configure document settings Set up color management Configure export options Advanced configuration *** **Pro Tip**: Create 3-5 presets for your most common projects. You'll save hours every week! # Your First Project - Business Card Source: https://docs.printery.app/getting-started/first-project Create a professional business card from scratch with proper print specifications ## Project Overview In this tutorial, you'll design and prepare a professional business card for printing. This hands-on project will teach you: * Setting up correct dimensions with bleed * Typography best practices for print * Color management for brand consistency * Proper file preparation for printers **Time Required**: 20-30 minutes **Difficulty**: Beginner **Final Output**: Print-ready PDF with bleed and crop marks ## What You'll Need * Figma account (free or paid) * Printery plugin installed * Your business information (name, title, contact details) * Optional: Logo file (PNG or SVG) ## Project Specifications Standard business card dimensions: | Measurement | Value | Notes | | -------------- | ----------- | -------------- | | **Final Size** | 90mm × 54mm | US: 3.5" × 2" | | **With Bleed** | 96mm × 60mm | +3mm all sides | | **Safe Area** | 84mm × 48mm | -3mm all sides | | **Resolution** | 300 DPI | Print standard | | **Color Mode** | CMYK | For printing | These dimensions are for European standard business cards. US standard is 89mm × 51mm (3.5" × 2"). Adjust as needed for your region. ## Step 1: Set Up Your Document 1. Open Figma and create a new file 2. Press `F` to activate Frame tool 3. In the right panel, enter: * **Width**: `96` (mm) * **Height**: `60` (mm) 4. Name your frame: "Business Card" Change units: Right-click canvas → Unit of measurement → Millimeters Create guides to mark safe area and bleed: 1. Enable rulers: `Shift + R` 2. Drag guides from rulers to mark: * **3mm** from each edge (bleed line) * **6mm** from each edge (safe area) Keep all important text and logos inside the safe area (inner guides) 1. Select your frame 2. Add a fill color or background 3. Make sure background extends to all edges (including bleed) ## Step 2: Design Your Business Card ### Front Side Design 1. Drag your logo file into Figma (or create a text-based logo) 2. Position it in the **safe area** (at least 6mm from edges) 3. Ensure logo is high resolution (300 DPI) **Avoid**: Placing your logo too close to edges - it might get cut off! 1. Press `T` for text tool 2. Add your name 3. Recommended settings: * **Font size**: 16-20pt minimum * **Font weight**: Bold or SemiBold * **Color**: High contrast with background **Text Sizes for Print**: * Name/Title: 16-24pt * Body text: 8-12pt * Minimum readable: 6pt Add your: * Job title * Email address * Phone number * Website **Recommended settings**: * Font size: 8-10pt * Consistent alignment (left, center, or right) * Adequate spacing between lines Optional enhancements: * Decorative lines or shapes * Background patterns * Color accents Keep design elements at least 3mm from edges to prevent cutting issues ### Back Side Design (Optional) 1. Duplicate your front design: `Cmd/Ctrl + D` 2. Name it "Business Card - Back" 3. Position next to front design Common back side options: * Full background with pattern * Social media handles * Additional contact info * QR code * Company tagline Many designers keep the back simple or use a solid color with pattern ## Step 3: Prepare for Print ### Check Your Design * [ ] All text is spelled correctly * [ ] Contact information is accurate * [ ] Logo is properly positioned * [ ] No important elements within 3mm of edge * [ ] Design extends to all edges (full bleed) * [ ] All images are high resolution * [ ] Logos are vector (SVG) or high-res raster * [ ] No blurry or pixelated elements * [ ] Colors are consistent * [ ] Text has good contrast * [ ] Black text uses pure black (not dark gray) * [ ] All text is readable (minimum 6pt) * [ ] Fonts are embedded or will be embedded * [ ] Line spacing is appropriate * [ ] No text touching edges ## Step 4: Configure Print Settings 1. Select your business card frame 2. Press `Cmd/Ctrl + /` → Type "Printery" 3. Plugin opens with your frame selected In the **Document** tab: ``` ✓ Enable "Add Bleed" Bleed size: 3mm ✓ Enable "Crop Marks" Position: Outside ✓ Enable "Registration Marks" (optional) ✓ Safety Zone: Visible (for your reference) ``` In the **Color** tab: ``` ✓ Enable "Convert to CMYK" ICC Profile: ISO Coated v2 300% (or check with your printer) ✓ Black Text Optimization Use pure black (K100) for text ✓ Rendering Intent: Relative Colorimetric ``` **Brand Colors**: If you have specific Pantone colors, you can set up spot colors here. See [Spot Colors Guide](/color/spot-colors) In the **Export** tab: ``` DPI: 300 Image Compression: 85% PDF Standard: PDF/X-4 ``` Switch to **DPI Check** tab: 1. Review all images in your design 2. Verify all images show ≥300 DPI 3. Replace any low-resolution images Red warning (⚠️) = Image is below 300 DPI and may print poorly ## Step 5: Export Your PDF Review your settings one last time: * Bleed: 3mm ✓ * Crop marks: Enabled ✓ * CMYK: Enabled ✓ * DPI: 300 ✓ 1. Click **"Export PDF"** button 2. Choose save location 3. File naming suggestion: `BusinessCard_YourName_Front_CMYK_Bleed.pdf` **File Naming Best Practice**: * Include your name * Specify front/back * Add date if making revisions * Example: `JohnDoe_BusinessCard_Front_v2_2024-01-15.pdf` If you made a back side: 1. Select back frame 2. Use same settings 3. Export as separate PDF ## Step 6: Verify Your PDF Before sending to printer, double-check your PDF: ### Visual Inspection Open your PDF in Adobe Acrobat Reader or Preview (Mac) * Page size should be 96mm × 60mm (with bleed) * Crop marks should be visible outside the design * Text should be sharp and clear * Images should not be pixelated * Colors should look reasonably accurate * Background and design elements should extend to page edges * No white borders visible * Crop marks indicate where to cut ### Technical Verification **In Adobe Acrobat**: 1. File → Properties → Description 2. Look for "CMYK" in color space 3. Or: Tools → Print Production → Output Preview Your file should show CMYK colors, not RGB. **In Adobe Acrobat**: 1. File → Properties → Description 2. Look for "TrimBox" settings 3. TrimBox should be 90mm × 54mm 4. MediaBox should be 96mm × 60mm Images should be embedded at 300 DPI. If you're concerned about image quality, you can verify this in Acrobat Pro. ## Step 7: Send to Printer Your PDF is ready! Here's how to work with your printer: ### Communicating with Print Shops When contacting printer, specify: ``` Quantity: [How many cards] Paper: [e.g., 350gsm coated card stock] Finish: [Matte, gloss, or uncoated] Sides: [Single or double-sided] Additional: [Spot UV, embossing, etc.] ``` Confirm with printer: * Do they accept PDF/X-4? * Is 3mm bleed correct? * Do they need CMYK or can accept RGB? * Any special file naming requirements? For important projects: * Request a digital proof for approval * Or order a physical proof (small quantity test print) * This lets you see actual colors before mass production Physical proofs are worth the extra cost for important business cards ### Popular Online Print Services Premium quality, excellent color reproduction Budget-friendly, quick turnaround Good for bulk orders Best for custom finishes and consultation ## Common Business Card Enhancements Once you're comfortable with basics, consider these upgrades: * **Spot UV**: Glossy coating on specific areas * **Foil Stamping**: Metallic gold or silver * **Embossing/Debossing**: Raised or recessed areas * **Edge Painting**: Colored edges * **Die Cutting**: Custom shapes Special finishes require additional setup. Consult your printer for specifications. * **Cotton**: Luxurious feel (e.g., 110lb cover) * **Textured**: Linen, felt, or laid finish * **Extra Thick**: 32pt or heavier * **Plastic**: Waterproof, durable * **Metal**: Ultra-premium option * **Square**: 2.5" × 2.5" (more memorable) * **Mini**: 2" × 3.5" (fits in cardholder) * **Oversized**: 3.5" × 3.5" or larger * **Folded**: 7" × 2" folded to 3.5" × 2" ## Troubleshooting **This is normal!** RGB (screen) has more vibrant colors than CMYK (print). **Solutions**: * Use Pantone spot colors for critical brand colors * Request a printed proof * Learn color management: [Color Management Guide](/color/overview) **Minimum sizes**: * Body text: 8pt minimum * Absolute minimum: 6pt (but not recommended) **Fix**: Increase font size or simplify information **Cause**: Elements too close to trim line **Fix**: Move all important content at least 3mm from edges (inside safe area) **Cause**: Background doesn't extend to bleed **Fix**: Ensure all background elements extend to 96×60mm (full bleed) ## What You Learned Congratulations! You now know how to: ✅ Set up correct business card dimensions ✅ Add bleed and safe areas ✅ Design with print constraints in mind ✅ Convert to CMYK for printing ✅ Export print-ready PDFs ✅ Communicate with print shops ## Next Steps Dive deeper into print concepts Try making flyers and posters Master CMYK and color accuracy Start with pre-made templates ## Save as Template To reuse your settings for future business cards: 1. In Printery, go to **Presets** section 2. Click **"Save Current Settings as Preset"** 3. Name it: "Business Card Standard" 4. Next time, just load this preset! Create presets for different print projects to speed up your workflow *** **Questions about this tutorial?** Ask in our [Discord community](https://discord.gg/kUJZQEfdUF) or email [support@cooderspro.com](mailto:support@cooderspro.com) # Installation & Setup Source: https://docs.printery.app/getting-started/installation Install Printery and configure your first settings in minutes ## Installing the Plugin ### Step 1: Find the Plugin Go to [figma.com/community](https://www.figma.com/community) or click the **Resources** icon in Figma Search for **"Printery"** or **"Print PDF"** Click the **"Install"** button on the plugin page ### Direct Installation Link Click here to install Printery directly ## Opening the Plugin ### Method 1: Resources Panel 1. Click the **Resources** icon in the toolbar (or press `Shift + I`) 2. Go to the **Plugins** tab 3. Find **"Printery"** in your installed plugins 4. Click to run ### Method 2: Quick Actions 1. Press `Cmd/Ctrl + /` to open Quick Actions 2. Type **"Print PDF"** or **"Printery"** 3. Press `Enter` to run ### Method 3: Right-Click Menu 1. Right-click on any frame or canvas 2. Go to **Plugins** 3. Select **"Printery"** **Pro Tip**: Pin the plugin for quick access by right-clicking it in the Plugins menu and selecting "Pin to menu" ## First Time Setup When you first open the plugin, you'll see a welcome screen with options to: ### Free Version * **5 Trial Exports**: Test all features with 5 free PDF exports * **Full Feature Access**: Try CMYK conversion, bleed, crop marks, and all other features * **No Credit Card**: Start immediately without payment information ### Pro Version * **Unlimited Exports**: No limits on PDF generation * **Advanced Features**: ICC profiles, spot colors, custom color mapping * **Priority Support**: Same-day email support * **Pricing**: $12/month or $48/year (founder yearly price, save 67%) You can upgrade to Pro at any time. Your free trial exports never expire. ## Interface Overview The plugin interface consists of several main sections: ### 1. Document Tab Configure document settings: * Page size and orientation * Bleed settings * Crop marks and guides * Multi-page options ### 2. Color Tab Manage color conversion: * RGB to CMYK conversion * ICC profile selection * Spot color settings * Color mapping ### 3. Export Tab Control export settings: * DPI/Resolution * Image compression * PDF format * File naming ### 4. DPI Check Tab Verify image quality: * Check all images in your design * See effective DPI values * Get optimization recommendations ### 5. Presets Save and load settings: * Create custom presets * Use built-in templates * Share presets with team ## System Requirements **Browser**: Figma Desktop App or supported browsers (Chrome, Firefox, Safari, Edge) **Operating System**: Windows 10+, macOS 10.14+, or Linux **Memory**: 4GB RAM minimum (8GB recommended for large files) **Internet**: Required for plugin installation and updates ## Permissions The plugin requires the following permissions: | Permission | Purpose | Why Needed | | ----------------- | ------------------- | ----------------------------------------- | | Read file content | Access your designs | To process images and text for PDF export | | Export images | Generate PDFs | To create print-ready output files | | Network access | Upload settings | To save presets and check for updates | **Privacy First**: Printery processes everything locally in your browser. We never store or access your design files. See our [Security Policy](/security) for details. ## Verifying Installation To confirm the plugin is installed correctly: 1. Open any Figma file 2. Create a simple frame (press `F` and click-drag) 3. Open Printery 4. You should see the plugin interface load If you see the plugin interface with tabs for Document, Color, Export, and DPI Check, you're ready to go! ## Updating the Plugin Figma automatically updates plugins, but you can manually check for updates: 1. Open the plugin 2. Look for an update notification banner (if available) 3. Click **"Update"** to install the latest version We recommend keeping the plugin updated to access new features and bug fixes. Check our [GitHub releases](https://github.com/coodersio/print-pdf-plugin/releases) for update notes. ## Troubleshooting Installation ### Plugin Won't Load If the plugin doesn't open: 1. **Refresh Figma**: Close and reopen Figma completely 2. **Clear Cache**: * Desktop: Help > Troubleshooting > Clear cache and restart * Browser: Clear browser cache and cookies 3. **Reinstall**: Remove and reinstall the plugin from Community ### Missing Features If some features appear missing: * **Check Version**: Make sure you have the latest plugin version * **Pro Features**: Some features require Pro subscription * **Browser Issues**: Try the Figma Desktop app if using browser ### Performance Issues If the plugin is slow: * **File Size**: Large files (>100MB) may take longer to process * **Memory**: Close other applications to free up RAM * **Image Count**: Files with 50+ high-res images may need more time ## Getting Help Jump straight into creating your first print file Watch a video walkthrough of installation and setup Find answers to common installation questions Ask questions in our Discord community ## Next Steps Now that you've installed Printery, you're ready to: Learn the basics in 5 minutes → [Quick Start Guide](/getting-started/quick-start) Make a professional business card → [First Project](/getting-started/first-project) Learn about bleed, crop marks, and DPI → [Print Basics](/basics/overview) *** **Still stuck?** Contact us at [support@cooderspro.com](mailto:support@cooderspro.com) or join our [Discord](https://discord.gg/kUJZQEfdUF) for real-time help. # Welcome to Printery Source: https://docs.printery.app/getting-started/introduction Professional print-ready PDF exports from Figma with CMYK, bleed, crop marks, and spot colors